Georges Poujouly

18-year-old orphan Juliette's unbridled appetite for pleasure shakes up all of St Tropez; her sweet but naïve husband Michel endures beatings, insults, and mambo in his futile attempts to tame her wild ways.

The cruel and abusive headmaster of a boarding school, Michel Delassalle, is murdered by an unlikely duo -- his meek wife and the mistress he brazenly flaunts. The women become increasingly unhinged by a series of odd occurrences after Delassalle's corpse mysteriously disappears.

Near the end of World War II, General Dietrich von Choltitz receives orders to burn down Paris if it becomes clear the Allies are going to invade, or if he's unable to maintain control of the city. After much contemplation, Choltitz ignores orders, enraging the Germans and giving hope to various resistance factions that the city will be liberated. Choltitz, alongside Swedish diplomat Raoul Nordling, helps a leader organise his forces.

A self-assured businessman murders his employer, husband of his mistress, which unintentionally provokes an ill-fated chain of events.

Orphaned after a Nazi air raid, Paulette, a young Parisian girl, runs into Michel, an older peasant boy, and the two quickly become close. Together, they try to make sense of the chaotic and crumbling world around them, attempting to cope with death as they create a burial ground for Paulette's deceased pet dog. Eventually, however, Paulette's stay with Michel's family is threatened by the harsh realities of wartime.

Strange things are happening in the evening at the mansion: glass things break without any apparent reason. Professor Calculus, somewhat apathetic to the whole series of events, leaves the following day to attend a conference on nuclear physics in Geneva. Foreign powers get wind of his work and send their agents to investigate.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

1944 : Occupied France. Juliette (Vice) is Wehrmacht General Bamberg's mistress and enjoys a privileged life. Her younger sister Justine (Virtue) is about to marry Jean who is in the Resistance and come to Juliette for help. Both sisters end up at "la Commanderie", where Juliette becomes SS Colonel Schonberg's mistress and Justine is detained with other pretty girls who must satisfy the sexual needs of high-ranking nazi officials. Inspired by "Justine ou les infortunes de la vertu" by the marquis de Sade