Martín Grignaschi

As her Parkinson's disease progresses, a woman leads a relentless investigation into finding those responsible for the sudden death of her daughter.

An observation trip through the heart of the Frente de Artistas del Borda, a group of artist in the psychiatric hospital.

In the concrete jungles of lawless futuristic Brazil, enemies spout slam poetry in duels as their movements remind us of parkour. The adrenaline rush breaks into three timelines: the past introduces teenager Riobaldo and handsome Diadorim, the present depicts a bloody clash and reveals sexual identities, and the future exposes Riobaldo’s deal with the devil.

The wet film, in which a teenage girl wants to get her first kiss and at the same time afraid of it.

Two brothers return to Pinamar off-season to scatter the ashes of their mother and sell the family apartment. There, they are received by Laura, a beautiful young local who was Miguel's childhood friend. Among music, drinks and games, she awakens the desire of the brothers and turns what seemed like a trip that revolves around death into an adventure that connects them to the memory of those summers.

It tells the story of four Jewish boys during a few summer days at the country club where their parents take them, on the outskirts of Buenos Aires, in 1993. Within the club, the four define themselves as outsiders, since they do not participate in the sports activities that are practiced there, and therefore do not fit into the logic that governs the place, being permanently bothered and mocked by the rest of the children of their age.

A metaphor for a historical disagreement between ourselves. How we make each subject a tragedy. Again and again and again.

From a repressive childhood to artistic revolution, Ney Matogrosso transforms Brazil's stages — and himself — through music, creativity and inner fire.

Albertina Carri wants to make a film about Isidro Velázquez, an almost mythical outlaw figure from northern Argentina who was shot dead by police in 1967. She’s not the only one interested in him: her sociologist father Roberto Carri wrote a book on him called “Pre-Revolutionary Forms of Violence” and a film was made about his story, although both father and film disappeared during the Dirty War. Legends, families, political alignments, cinema: none offer a stable foothold and Carri’s passage through them is like wandering a garden of forking paths, only to arrive at a landscape of cracked earth and thorns.

In the campaign that could change her career as fashion influencer, Paula Pratta only needs one essential item: her son. But he trades his business school in California for a permaculture institute in Amazon. With assistant Taylor, she sets off in search of the boy and finds a world without filters and much more than she expected, including the chance to reconsider what really matters in her life.

A wedding invite from an estranged sibiling inspires a grandmother to assemble her family and embark on a roadtrip in a broken down caravan.

To take care of family property, unexpected solutions are sometimes taken.

An enormous Steinway & Sons piano dominates a cramped and untidy apartment in Buenos Aires, belonging to the 91-year-old twin sisters Isabel and Amelia Cavallini. Once they formed a celebrated piano duo with a blossoming career in the United States. Just as the instrument is actually a little too big for their modest residence, the sisters’ personalities no longer seem to fit their now fragile bodies. In this final part of her trilogy on old age and art (preceded by Las cinéphilas and Le temps perdu), María Alvarez follows these elderly ladies as they shuffle along the path of their memories, which surround them in every corner of their house.

Paulo Coelho is the world’s most translated living author, his books having sold over 165 million copies. But he was not always the inspirational global phenomenon he is today. Like the heroes in his spiritual classics THE ALCHEMIST and THE PILGRIMAGE, he long-searched for his calling, flirting with death, escaping madness, falling in love, and making rock ’n’ roll history in Brazil, all-the-while striving for success as a writer. A wild ride through a lifetime of stranger-than-fiction adventures, PAULO COELHO’S BEST STORY is a profoundly moving film that goes straight to the heart of the most beloved literary guru of our time, revealing the most incredible wonder of all: the man behind the masterpieces.

Buenos Aires, 1880. A journalist interviews Manuel Esteban Corvalán, one of the last living men who crossed the Andes in 1817 with José de San Martín, during the Argentinian and Chilean wars of independence, as one of his secretaries, when he was only 15 years old.

The revolution is over, but outlaws in the arid Chaco still harass the poor. An old woman reluctantly welcomes a lone gaucho.

Morán works as a clerk in a bank in Buenos Aires. He is as good as invisible to his colleagues. Over dinner with his colleague Román, Morán tells him that he stole exactly $650,000, which is exactly double what he would have made until his retirement. He plans to turn himself in, but not before offering Román to split the money if agrees to hide it for the duration of his incarceration.

A separated yet self-sufficient craftswoman puts up a friend who is also separating. The hostess has three teenage children, and the arrival of her guest will interfere with their domestic harmony, apart from slowly but surely causing a hormonal surge in one of the boys.

Isolated on the beach, the powerful business woman Frederica prepares an awaited New Year`s party. In the middle of a marriage crisis with photographer Constantin, which affects directly her teenage daughter, she has to manage her life and the career of pop icon Lenny, who decided to write a mysterious work alongside writer João Wommer. When a strange creature appears from the bottom of the sea, the crisis takes place in the web of affections, and Frederica will have to face her biggest fear: loss.

A child disappears from his parents sight in a mysterious but haunting forest after a punishment.

Yiya Murano poisoned her friends to cover up scams in 1970s Argentina and became a dark figure in popular culture. Freed in the 1990s, she reappeared as a pop icon. Today, her son Martín seeks to reveal her true face.

Chile, September 1986. Tamara, commander of the communist guerrilla group Manuel Rodríguez Patriotic Front, and her comrades-in-arms set out to overthrow the military regime installed in 1973 by assassinating the dictator Augusto Pinochet.

Three desperate stories about working life in São Paulo.

Deep within Buenos Aires's labyrinthine subway system, a train mysteriously disappears along with it's 30 passengers. The subway officials are greatly troubled and call in topographer Daniel Pratt to help them find it. Unfortunately, the tunnels are so vast and complex, that Pratt needs his mentor Hugo Mistein to help him. Unfortunately, he too has vanished.

After a devastating toxic snowfall kills millions, Juan Salvo and a group of survivors in Buenos Aires must resist an invisible threat from another world.

During the year 2000, Ricardo, Pollo, Walter and Chiqui occupied a house in the Buenos Aires neighborhood of Congreso. The four young people forge a strong friendship that leads them to go through different stories of crime, drugs and social marginalization.

Documentary series on the circumstances surrounding the death of María Marta García Belsunce, one of the most controversial criminal cases in Argentina.