John Ekman

Hämnaren (The Avenger) was made in 1915, and was rediscovered in Berlin in 2001. It begins with a woman named Ester, who is reading a letter and crying. The letter says that a man named George won't marry her, because he knows his father would never allow him to marry a Jewish woman. Ester dies of childbirth, and possibly a broken heart. Her suitor Jakob takes care of her son, who is named Josef, and sends George a note, accusing him of causing her death

An alcoholic, abusive ne'er-do-well is shown the error of his ways through a legend that dooms the last person to die on New Year's Eve before the clock strikes twelve to take the reins of Death's chariot and work tirelessly collecting fresh souls for the next year.

Set at a recreational resort in the mountains, where a group of people have their lives and loves interveined.

A young doctor is found unconscious in the mountains and is brought to a Sami village.

A rich young man falls for a beautiful girl and meets with trouble. An adaptation of Hugo von Hofmannsthal's Das fremde Mädchen.

A stranger comes to work at widow Halla's farm. Halla and the stranger fall in love, but when he is revealed as Eyvind, an escaped thief forced into crime by his family's starvation, they flee and become two of the many outlaws of Iceland's mountains.

Olga is a young student and a revolutionary agitator in Russian ruled Poland.

A young orchestra violinist’s fear of mediocrity and drive for artistic success strain his marriage to a fellow musician. Told largely in flashback and shaped by Beethoven’s Ninth Symphony, the film examines ambition, love, and loss in early Ingmar Bergman.