Anatol Yusef

Michael Mason is an American pickpocket living in Paris who finds himself hunted by the CIA when he steals a bag that contains more than just a wallet. Sean Briar, the field agent on the case, soon realises that Michael is just a pawn in a much bigger game and is also his best asset to uncover a large-scale conspiracy.

The true-crime story of legendary outlaw Jack Black, whose 1926 memoir became an unlikely bestseller upon its release and later inspired generations of counter-cultural writing.

Jack Dodd was a London butcher who enjoyed a pint with his mates for over 50 years. When he died, he died as he lived, with a smile on his face watching a horse race on which he had bet, with borrowed money. But before he died he had a final request, 'Last Orders', that his ashes be scattered in the sea at Margate. The movie follows his mates, Ray, Lenny and Vic and his foster son Vince as they journey to the sea with the ashes. Along the way, the threads of their lives, their loves and their disappointments are woven together in their memories of Jack and his wife Amy

Itinerant traveler Cassie Grant comes out of a car accident in Glastonbury, England, with partial memory loss. The deeply regretful driver allows her to convalesce at a large rural home, where she becomes friends with the woman's stepson, Michael. As Cassie delves into Michael's research about an old, newly discovered area church, it triggers some strange premonitions and offers gradual clues about her deeper links to this British community.

The elder Jones's lecture tour takes parents and son to India, where Indy explores the meaning of faith in oneself with Theosophist philosopher Jiddu Krishnamurti. Then, when Indy falls victim to typhoid fever in China, his mother must have faith and trust that the villagers' ancient medicines will save him.

On the day of his first fight since his release from prison, a once-renowned boxer embarks on a redemptive journey through his past and present.

A tale of friendship between two men, one Jewish and the other Arab, as the state of Israel is being created.

A young criminal kidnaps a couple's young son and then blackmails them into committing his crime instead of asking for a ransom.

Explores the moment of catharsis that unites two alienated New Yorkers over the disappearance of Mr. Puggles, the lost dog.

Atlantic City at the dawn of Prohibition is a place where the rules don't apply. And the man who runs things -- legally and otherwise -- is the town's treasurer, Enoch "Nucky" Thompson, who is equal parts politician and gangster.

A preacher sets out on a mission to make the almighty himself confess his sin of abandoning the world. With his best friend Cassidy, an alcoholic Irish vampire, his love Tulip, a red blooded gun towing Texan, and the power of genesis, an unholy child born from an angel and a devil, Jesse gives up everything to set the world straight with its creator.

Jeeves and Wooster is a British comedy-drama series adapted by Clive Exton from P.G. Wodehouse's "Jeeves" stories. It aired on the ITV network from 1990 to 1993, starring Hugh Laurie as Bertie Wooster, a young gentleman with a "distinctive blend of airy nonchalance and refined gormlessness", and Stephen Fry as Jeeves, his improbably well-informed and talented valet. Wooster is a bachelor, a minor aristocrat and member of the idle rich. He and his friends, who are mainly members of The Drones Club, are extricated from all manner of societal misadventures by the indispensable valet, Jeeves. The stories are set in the United Kingdom and the United States in the 1930s.

The Afternoon Play is a British television anthology series of standalone contemporary dramas aired during the afternoons of 2003–07 on BBC One, featuring well-known actors in one-off stories. A daytime drama strand showcasing a variety of genres, from comedy to mystery, it was part of a long tradition of afternoon plays on BBC Radio 4, which would go on to influence the television version.

Following a raft of shootings in an English market town, the crimes are retold in a nonlinear narrative structure through the eyes of a journalist and the tragedies' victims.