Cristiane Oliveira

Nove Crônicas para um Coração aos Berros

In a mosaic of human relationships and day-to-day situations, men and women of different ages feel a pressing need to reinvent themselves. As they cross each other's paths, they all are at a turning point in their lives.

Ela foi ali guardar o coração na geladeira

Nalu on the Border

Nalu lives with Ruben, her father, in a small country town near the Brazilian border with Uruguay. When Ruben realizes that his daughter is becoming a woman, an ambiguous closeness begins to develop between them.

Until the Music is Over

Chiara is the matriarch of an Italian-descendent family torn apart. After her youngest son moves out, she decides to go along with Alfredo, her husband, on his trips as a salesman in the bars of Serra Gaucha. Their trust in each other breaks down when Chiara finds out about Alfredo's life on the road and he realizes she hides something too. A turtle and decks of cards with put their fifty-year relationship to the test.

Gift

Caio receives a birthday "gift" from his friends -- a night with call boy Fernando. During the three hours of their meeting, the two will go from an initial aversion to a mutual and almost improbable attraction, slowly discovering and confronting the reality of both.

Inventário de Imagens Perdidas

Two women on the run from a fundamentalist revolution cross their paths in a house populated by memories of an old filmmaker.

We Still Have the Deep Black Night

Karen sings and plays the trumpet in a vigorous rock band in Brasilia, but no one there is interested in it. At 27, she has lost hope in the city her grandfather helped to build. She follows in the footsteps of her ex-partner in the band, Artur, and tries her luck in Berlin.

A Violent Dose of Anything

Pedro has taken the road and he does not know where he is going. Lucas does not know it either. After meeting at a roadside café, they travel through the Brazilian Savannah seeking for a violent dose of anything.

Nove Crônicas para um Coração aos Berros

In a mosaic of human relationships and day-to-day situations, men and women of different ages feel a pressing need to reinvent themselves. As they cross each other's paths, they all are at a turning point in their lives.

Ela foi ali guardar o coração na geladeira

Nalu on the Border

Nalu lives with Ruben, her father, in a small country town near the Brazilian border with Uruguay. When Ruben realizes that his daughter is becoming a woman, an ambiguous closeness begins to develop between them.

Until the Music is Over

Chiara is the matriarch of an Italian-descendent family torn apart. After her youngest son moves out, she decides to go along with Alfredo, her husband, on his trips as a salesman in the bars of Serra Gaucha. Their trust in each other breaks down when Chiara finds out about Alfredo's life on the road and he realizes she hides something too. A turtle and decks of cards with put their fifty-year relationship to the test.

Gift

Caio receives a birthday "gift" from his friends -- a night with call boy Fernando. During the three hours of their meeting, the two will go from an initial aversion to a mutual and almost improbable attraction, slowly discovering and confronting the reality of both.

Inventário de Imagens Perdidas

Two women on the run from a fundamentalist revolution cross their paths in a house populated by memories of an old filmmaker.

We Still Have the Deep Black Night

Karen sings and plays the trumpet in a vigorous rock band in Brasilia, but no one there is interested in it. At 27, she has lost hope in the city her grandfather helped to build. She follows in the footsteps of her ex-partner in the band, Artur, and tries her luck in Berlin.

A Violent Dose of Anything

Pedro has taken the road and he does not know where he is going. Lucas does not know it either. After meeting at a roadside café, they travel through the Brazilian Savannah seeking for a violent dose of anything.

The First Death of Joana

Late summer of 2007, South of Brazil. Joana, 13, wants to find out why her great-aunt Rosa died at 70 without ever having dated anyone. Encouraged by her friend Carolina, Joana starts an investigation about Rosa’s past. As she confronts the values of her community, Joana realizes that all the women in her family have a secret, while something hidden inside her also reveals. She plunges into her imagination to find answers while a large wind power plant is being built in their small town.

O Vazio de Domingo à Tarde

Mônica is an actress in a crisis triggered by the overexposure of her life as a celebrity. Young Kelly is not aware of that when she unsuccessfully tries to speak to Mônica as she is leaving a film shooting, in Brazil's countryside. Kelly will not give up and decides to try to meet her muse again.