Ned Stresen-Reuter

In 'Daddy?', time and persona are fluid as we explore a homeless young dancer's night. Following the break up with his boyfriend and an assault on his way to the club where he works, events cause him to question who he is, where he’s going and what he has lost. A fever dream of violence and sex, bringing his buried fears to life. Is the man he wants to love someone he can trust? Will he ever have someone, feel safe and be whole?

Claire, a brilliant student, seeks answers to the meaning of life in the calm of her biology laboratory. One day, she meets a mysterious young man, Jack, at the cinema, and is intrigued by his style, assurance and audacity.

Anthony ‘Blest’ (Mark Webber) is one of the most talented and notorious graffiti artists in New York City. Despite the tragic loss of his older brother during a nightly 'bombing' foray with a graffiti crew, Anthony has the same insatiable addiction. With the other members of his ‘crew,’ Anthony parties, shoplifts spray-paint and 'tags' virgin walls with his signature 'Blest.' He does his best to avoid run-ins with the cops and hostile rival crews, but he can’t avoid the pressure from his mother to attend college, and from his girlfriend to leave New York with her. As tensions rise, a physical threat from the cops causes the crew to intensify their bombing excursions, calling an all out war on the city. When the inevitable confrontation happens, a tragedy results that pushes Anthony to make a decision that has even darker consequences.

Will and Eli meet by chance in a bar and head to the salt flats searching for a party. In the process, however, they take the first steps towards finding and accepting themselves.

A radical revisitation. This updated version of Stephen Winter’s 2015 film unearths the ghosts of Jason and Shirley, restaging the volatile 12-hour shoot of the 1967 documentary Portrait of Jason—held at the Chelsea Hotel—which blurred the line between subject and storyteller. Jason Holliday, a sharp-witted Black gay man, whose identity splits between personas–performer, hustler, muse, provocateur–is once again in the room with Shirley Clarke, the Oscar-winning filmmaker who insisted on framing his life. Now, with newly unearthed footage, the director returns 10 years later, not to resolve the contradictions, but to reopen them. What was once a document becomes a haunting, a conversation with what was left outside the frame. Time folds. Power shifts. And Jason, still impossible to contain, speaks back.

Craig is an older, average-looking man who isn't handling aging well. Gary is a hot, blond young stud at the center of attention. They literally bump heads one night, and become best friends. But Craig wants to be boyfriends, while Gary has other issues. They work things out (somewhat) during a night in the emergency room.

Based on a true story, Jason and Shirley recreates the 1966 power struggle between Jewish, Oscar-winning documentary filmmaker Shirley Clarke and her subject, Jason Holiday, a fierce black gay queen over a 12-hour marathon filming session which gave rise to Clarke's iconic documentary Portrait of Jason.