Ray Marioni

Beautiful wealthy American businesswoman meets eccentric Irishman on an Italian train, who sets out to woo her. What ensues is something neither imagined happening.

It's just days before Christmas in London, but not everyone is full of good cheer - as a maniac with a pathological hatred of Santa Claus stalks the streets, butchering any man that’s unlucky enough to be wandering around dressed as Old Saint Nick.

A surrealistic nightmare inspired by an 1855 photographic portrait, in which the magic tricks of early cinema are used to eerie effect. Creepy and beautiful at the same time, it does not share platitudinous ways to frighten the audience with the vast majority of modern horrors. Countess di Castiglione is a really existed Italian courtesan famous for her beauty and wide acquaintanceship among the ruling elite of those times. She directed Pierre-Louis Pierson to help her create 700 different photographs in which she re-created the signature moments of her life for the camera. Robert de Montesquiou, a Symbolist poet, dandy, and avid art collector, was fascinated by the Countess di Castiglione. He spent thirteen years writing a biography, La Divine Comtesse, which appeared in 1913. After her death, he collected 433 of her photographs, all of which entered the collection of the Metropolitan Museum of Art.

An affair between a literary agent and his best friend's wife, unfolding in reverse-chronological order.

Walter Pinner is the titular Punch And Judy Man plying his trade in the seaside town of Piltdown. Unhappily married to his social climbing wife, who gets him to perform at the 60th anniversary celebrations of the town in front of all the local dignitaries, his hatred of snobbery comes to a hilarious head.

A gambler is smuggled into a billionaire's house to undertake a gambling duel.

A fashion model buys a Rolls-Royce. What she doesn't know is that it's haunted.