Charu Bala Chokshi

In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.

A member of the English upper class dies, leaving his estate and his business to an American, whom he thinks is his son who was lost as a baby and then found again. An Englishman who thinks he is an Indian comes to believe that he is actually the heir. He comes to hate the American who is his boss, his friend, and the man who has stolen the woman after whom he lusts.

A young Pakistani Briton manages a rundown laundrette with his lover while dealing with tension in his family, the local Pakistani community, and a persistent mob of skinheads.

A documentary crew films heavy metal band Bad News as they have trouble starting their van, pick up a schoolgirl groupie, and meet up with rock journalist Sally at a motorway service station where they argue about the cost of sausage and chips.

Rehana is studying for her A-levels. She is a Muslim and her father thinks it's time he arranged a marriage for her. But Rehana has other ideas....

A village cricket match on the lawn of a great country house - a traditional setting for the perfect English murder. A natural case for the Yard's best technicolor detective, except for the victim-the 20th-century lord of the manor, Sheik Ali Ben Hassim.

Darkly comic murder mystery adapted from a novel by Booker Prize-winning author Bernice Rubens. Luke Wakefield is not so much a knight in shining armour as an oddball in a suit. And his crusade is more of a "who ami" than a "whodunit".

Two disparate families become intertwined when a Jewish man and a Muslim woman fall in love while attending college.

A double offering of heavy metal madness from The Comic Strip and Bad News.

A woman looks back on her life as a political activist in Scotland from the 1950s to the 1970s.

"These Indian films. They're done to a formula - songs, dance, routines and a lot of sentimental heavy breathing." When her 17-year-old son Roy falls in love with a Muslim girl, and a Bangladeshi butcher seeks help from her husband Raji, Leela realises that the tears and romance of Indian cinema are closer to her own life than she has ever imagined.

Young, handsome and alone in London at the start of a great career. But will Sunil's luck hold out against the seductions of pretty girls, the wiles of con-men and a hundred temptations of the great city?

A desperate drug-pusher must avoid police, and find money to pay-off a huge debt.

Martin Urban, a young accountant, is gay but unwilling to own up to this fact because he desperately wants to be the ideal son for his parents. When he wins a fortune on the football pools, he decides to give half of it away to deserving people. But he neglects to include his friend Tim Sage, who filled in the coupon for him and really needs the money. Perhaps Martin doesn't acknowledge Tim because Martin is strongly sexually attracted to him. Tim's revenge upon Martin succeeds beyond his wildest dreams, setting in motion a chain of events leading to a tragic climax.

This film adopts a mother’s perspective in examining her relationship with her gay son. The family members can be seen to represent the internal codes and regulative practices of a close-knit Asian community.

A zany comedy show with Matt Lucas and David Walliams, featuring characters from all over Little Britain.

The Comic Strip is a group of British comedians, who do parodies of films, literature and sometimes major events.

Jeremy Brown, a language teacher, tries to make a living by teaching English to immigrants. With pupils from India, France, China, and many other countries, his lessons do not always go as planned.

Six single dramas adapted from six of Geoffrey Chaucer's 14th century Canterbury Tales, transferred to a modern, 21st century setting, but still set along the traditional Pilgrims' route to Canterbury.

Victoria Wood was a series of six one-off situation comedies written by and starring Victoria Wood in 1989, who took a break from sketches, two years after her very successful and award winning series Victoria Wood As Seen on TV. Wood appeared as "Victoria", a fictionalised version of herself, in all six episodes - in The Library it was said that she "worked in TV" and in Over To Pam characters appeared to recognise her celebrity and in the final episode, Staying In, she was taken to a party to perform as a comedienne and was expected to go through her stand-up 'routine'. Her character often broke the 'fourth wall' of TV and spoke directly to the camera, but not in every episode. Bored with the sketch format and with a yearning to recapture previous success as a playwright, Wood came up with six individual sitcoms as a compromise. She admitted to finding the writing difficult. Though Wood was written as the central character, other lead parts were written with specific actresses in mind, like Julie Walters and Una Stubbs. "I want people to like me and the people who play my friends, and not everybody else" she said. Screenonline says of the shows "Modest in ambition and scale but rich in wit and acuity, the six playlets showcase Wood's eye for human foibles and her distinctively eccentric characters.".

The Fear is a five-part television drama produced by Thames Television subsidiary Euston Films for ITV. Broadcast from 17 February to 16 March 1988, the serial follows Carl Galton, the enterprising leader of a criminal gang running a protection racket in North London. Young and ambitious, Galton represents a new breed of criminal who seeks to expand his underworld empire and takes on the old East End firms. 1980s materialism clashes with old school London villainy as Galton rises to power, yet his ruthlessness carries a personal cost, especially on his wife Linda and best friend Marty.