Raúl Ruiz

In early 1920s France, an author, lying on his deathbed, looks at various photographs and is flooded with memories of the people and events that have shaped his life.

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

Michele is an MP for the Italian Communist Party who loses his memory in a car crash, though hardly anyone around him seems to notice. During a crucial water polo match on the eve of election day, he gradually begins to remember his past life, revealing a man whose personal and political identity crisis mirrors that of Italian communism itself.

Collaborative experimental project on which three director made different films about the Swedish icebreaker "Frej".

A portrait of Austrian artist Gustav Klimt whose lavish, sexual paintings came to symbolize the art nouveau style of the late 19th and early 20th century.

Four intertwining stories of bizarre occurrences in Paris featuring a man who was stolen away by fairies, a professor who becomes a tramp, the lovers who inherit a chateau – and the last tale that connects all that has gone before.

When the child Manuel wanders into a garden that is off-limits to him, he meets an unidentified fisherman, and another boy -- the boy is actually himself several years down the road. Manuel experiences three different versions of his encounters in the garden, revealing that fate can have several twists and turns in one's life, depending on decisions that are made early on.

Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series' significance.

In 1978, Ruiz was commissioned to make a television documentary about the French elections from the viewpoint of a Chilean exile in Paris’ eleventh arrondissement. But, contrary to the producers’ expectation, the Left lost. Ruiz seized on this anti-climax to make a documentary about nothing except itself – a film whose central subject is forever lost in digression and ‘dispersal’, harking back to his Chilean experiments of the ‘60s. Its political content is deliberately left negligible: it’s hard to tell at the end who did actually win the election, let alone why.

Richard of Gloucester uses murder and manipulation to claim England's throne.

A fire started by Harry Thompson destroys the Liguria, a legendary ship of the 19th century, and its treasure of gold and diamonds sinks in the sea. Thompson manages to escape unaware that Albizetti sleeps in the same lifeboat he uses. They manage to arrive at a deserted island, which has also been reached on the opposite shore– by the other survivors of the shipwreck: three children, a woman and three men.

Absurdist short about a man with a suitcase and a man inside that suitcase.

Anthology of short films about the French city of Nice, by various directors. A homage to Jean Vigo and his "À propos de Nice" from 1930.

An attorney defends a young man on trial for killing his aunt — a psychiatrist who took him in to study possible homicidal tendencies.

A small group of well-to-do vacationers go on a hiking trip into the woods just to find themselves mysteriously lost.

Shortly after murdering his professor, a young man encounters a sailor who offers him a position on his ship in exchange for 3 Danish crowns and his attention as he recounts his life story.

A surreal odyssey in which a melancholic maidservant crosses paths with a homicidal little boy, travels to a tiny island of pirates and encounters a man with multiple personalities.

Jim is a small child who lives in an inn run by his parents. The arrival of a strange captain to the Island they live will trouble his existence and tip him into an universe of adventures.

Third and final part of collaborative project Brise Glace. Directed by Raúl Ruíz.

Racial, social and cultural aspects of La Paz (called Chuquiago by the Aymaras) seen through four stories.

A man's wife commits suicide and appears to him as a ghost. The ghost follows him everywhere – under the bed, under tables… After seeing the ghost so frequently, the man begins to resemble her.

Confusing realities surface in this paranoid film dealing with the fragile nature of a young woman recovering from rape and an apparent attempted suicide. In one reality, she is a killer destroyer of men. In another she is the new wife on a Jamaican honeymoon with her husband (William Baldwin), who is trying to help her recover. Which is real is the question as the story unfolds.

Jane appears to be ideal: attractive, intelligent, unruffled by her employer's abrupt eccentricities. But, gradually, we come aware that Jane has another agenda. Incrementally, Sir Paul's familiar surroundings are altered. His housekeeper is diverted away, strange things happen around the house and he becomes increasingly dependent on his new assistant.

This quickly-filmed avant-garde farce by prolific director Raul Ruiz features an insomniac (Michel Lonsdale) whose main preoccupation is surreptitiously watching private matters -- he is a voyeur. He and an equally disreputable acquaintance rape a woman alongside the Seine, a crime made all the worse because she is pregnant. The rest of this slow-paced film deals with the consequences of that action.

The tragic story of the many lives of Father Dinis, his dark origins and his pious works, and the different fates of all those who, trapped in a sinister web of love, hate and crime, cross paths with him through years of adventure and misfortune in the convulsed Europe of the late 18th and early 19th centuries. (A longer television version of the film of the same name, released in 2010.)

An ode to Chilean maritime myth and storytelling. Sailors onboard the Lucerna tell stories, but before long their stories intersect.

This three part French TV serial for children (alternate versions exist as a feature, Manoel’s Destinies, and a 4 part Portuguese TV serial, Adventure in Madeira) is the favourite of many devotees of Raúl Ruiz. This is because it ties the enchantment and mystery of Lewis Carroll, Carlo Collodi and the Brothers Grimm to the filmmaker’s experiments with narrative strategies and what he calls the pentaludic model of storytelling (where characters are thrown dice-like into combinations and situations governed by the play of Chance and Destiny).

This was a man. He lived with his mother. He cared a manor house in the countryside of Chile. One day the man found a bone in the garden. The bone was bored. That was a bone flute. The man with the flute music play. And music song became. The voice of the song begging to seek the other bones of his scattered body. The man and his mother were in those ways of God and hell, looking for the bones that make up the skeleton of that Christian. And give him a Christian burial. And they saw what they saw, they lived what they lived. Many stories lived. And although they did not tell anyone, others told them.