Reid Shelton

As a young girl, Alison Parker attempted suicide after being traumatized by her father's sexual exploits. Now an elite fashion model, she moves to a Brooklyn Heights apartment building where she encounters a number of bizarre, eccentric tenants and attempts to uncover the building's sinister secret.

The golden age of the annual Tony Awards ceremony lasted from 1967 to 1986 — the period during which Alexander H. Cohen and his wife, Hildy Parks, were the producers of the show. This film offers a compilation of performances from Tony Award broadcasts during those years. They are presented with color-corrected footage and digitally re-mastered sound.

STREET DANCERS: They're bold and they're bad; they're breakers — freestyle dancers who know a mean beat as well as a mean street. STAGE DANCERS: Grand and graceful gypsies — polished performers who are passionate about their art and the theater. When the choreographer of a troubled Broadway-bound musical brings the two groups together to energize his show, the results are less than successful. The professional dancers rebel when the street-wise breakers invade their turf — the theater. Tempers explode and the opening of the show is threatened. The exciting dance sequences, including the grand finale, were choreographed by Beat Street's Lester Wilson.

Futuristic prospective series pilot, a distant cousin the 1975 theatrical violent sport movie "Rollerball," revolves around a turn-of-the-millennium family on the Great Eve (the night before the year 2000 begins) planning for a reunion. Son Richard Beymer is an inventor working with prosthetic devices to help young athlete brother Drake Hogestyn perfect his game of combat hockey to maintain his skills as a national hero, and Cristina Raines is a socially conscious doctor who wants nothing to do with their prideful father, Bert Remsen, to the distress of their loving mother, Priscilla Pointer.

Al Bundy is an unsuccessful middle aged shoe salesman with a miserable life and an equally dysfunctional family. He hates his job, his wife is lazy, his son is dysfunctional (especially with women), and his daughter is dim-witted and promiscuous.

The story about a blue-collar Boston bar run by former sports star Sam Malone and the quirky and wonderful people who worked and drank there.

The domestic adventures, misdeeds and everyday interactions of five families living on a cul-de-sac in a small California community.

L.A. Law is an American television legal drama series that ran for eight seasons on NBC from September 15, 1986, to May 19, 1994. Created by Steven Bochco and Terry Louise Fisher, it contained many of Bochco's trademark features including a large number of parallel storylines, social drama and off-the-wall humor. It reflected the social and cultural ideologies of the 1980s and early 1990s, and many of the cases featured on the show dealt with hot-topic issues such as abortion, racism, gay rights, homophobia, sexual harassment, AIDS, and domestic violence. The series often also reflected social tensions between the wealthy senior lawyer protagonists and their less well-paid junior staff. The show was popular with audiences and critics, and won 15 Emmy Awards throughout its run, four of which were for Outstanding Drama Series.

Michael Long, an undercover police officer, is shot while investigating a case and left for dead by his assailants. He is rescued by Wilton Knight, a wealthy, dying millionaire and inventor who arranges life-saving surgery, including a new face and a new identity--that of Michael Knight. Michael is then given a special computerized and indestructible car called the Knight Industries Two Thousand (nicknamed KITT), and a mission: apprehend criminals who are beyond the reach of the law. The series depicts Michael's exploits as he and KITT battle the forces of evil on behalf of the Foundation for Law and Government.

St. Elsewhere is an American medical drama television series that originally ran on NBC from October 26, 1982 to May 25, 1988. The series starred Ed Flanders, Norman Lloyd and William Daniels as teaching doctors at a lightly-regarded Boston hospital who gave interns a promising future in making critical medical and life decisions.

Former 1960s flower children Steven and Elyse Keaton raise their conservative son Alex, daughters Mallory and Jennifer, and later, youngest child Andrew.

Four Southern Florida seniors share a house, their dreams, and a whole lot of cheesecake. Bright, promiscuous, clueless and hilarious, these lovely, mismatched ladies form the perfect circle of friends.

A.J. Simon is a polished fellow with a taste for classic cars and tailored suits. Rick Simon is his less refined (but still pleasant) older brother who has a taste for cowboy boots and four-wheel drive pickups. The two of them live in San Diego, where they own a private detective agency.

Laura Holt, a licensed private detective, opens a detective agency but finds that potential clients refuse to hire a woman, however qualified. To solve the problem, Laura invents a fictitious male superior whom she names Remington Steele. Through a series of events that unfold in the first episode, "License to Steele," a former thief and con man, whose real name is never revealed, assumes the identity of Remington Steele. Behind the scenes, Laura remains firmly in charge.

Hunter is an American police drama television series created by Frank Lupo, and starring Fred Dryer as Sgt. Rick Hunter and Stepfanie Kramer as Sgt. Dee Dee McCall, which ran on NBC from 1984 to 1991. However, Kramer left after the sixth season to pursue other acting and musical opportunities. In the seventh season, Hunter partnered with two different women officers. The titular character, Sgt. Rick Hunter, was a wily, physically imposing, and often rule-breaking homicide detective with the Los Angeles Police Department. The show's main characters, Hunter and McCall, resolve many of their cases by shooting dead the perpetrators. The show's executive producer during the first season was Stephen J. Cannell, whose company produced the series.

Jake and the Fatman is a television crime drama starring William Conrad as prosecutor J. L. "Fatman" McCabe and Joe Penny as investigator Jake Styles. The series ran on CBS for five seasons from 1987 to 1992. Diagnosis: Murder was a spin-off of this series.

Scarecrow and Mrs. King is an American television series that aired from October 3, 1983, to May 28, 1987 on CBS. The show stars Kate Jackson and Bruce Boxleitner as divorced housewife Amanda King and top-level "Agency" operative Lee Stetson who begin a strange association, and eventual romance, after encountering one another in a train station.

Sitcom following a successful African-American couple, George and Louise “Weezyö Jefferson as they “move on up” from working-class Queens to a ritzy Manhattan apartment. A spin-off of All in the Family.

A housewife sits on the stoop of her apartment building in a black neighborhood of Washington, D.C., and discusses all manner of things with her neighbors.

The Colbys is an American prime time soap opera, which originally aired on ABC from November 20, 1985 to March 26, 1987. Produced by Aaron Spelling, it was a spin-off of Dynasty, which had been the highest rated series for the 1984–1985 U.S. television season. The Colbys revolved around another wealthy, upper-class family, who were distant relatives of the Carringtons of Dynasty and who owned a large multi-national corporation. Intended to surpass its predecessor in opulence, the series' producers were handed an immensely high budget for the era and cast a handful of well-known movie stars among its leads, including Charlton Heston, Barbara Stanwyck, Katharine Ross and Ricardo Montalban. However, The Colbys was ultimately a ratings disappointment, and was canceled after two seasons.

1st & Ten is an American situation comedy that aired between December 1984 and January 1991 on the cable television network HBO. Featuring series regulars Delta Burke and veteran Reid Shelton, it was one of cable's first attempts to lure the lucrative sit-com audience away from the "Big Three", by taking advantage of their freedom to include occasional cursing and nudity.

Webster is an American situation comedy that aired on ABC from September 16, 1983 until May 8, 1987, and in first-run syndication from September 21, 1987 until March 10, 1989. The series was created by Stu Silver. The show stars Emmanuel Lewis in the title role as a young boy who, after losing his parents, is adopted by his NFL-pro godfather, portrayed by Alex Karras, and his new socialite wife, played by Susan Clark. The focus was largely on how this impulsively married couple had to adjust to their new lives and sudden parenthood, but it was the congenial Webster himself who drove much of the plot. The series was produced by Georgian Bay Ltd., Emmanuel Lewis Entertainment Enterprises, Inc. and Paramount Television. Like NBC's earlier hit Diff'rent Strokes, Webster featured a young African-American boy adopted by a white family.

In a backwater corner of the South Pacific in 1938, a young American adventurer and his ragtag group of friends become involved in death-defying hi-jinx, transporting people-on-the-run in a well-worn Grumman Goose seaplane.

Masquerade is an American espionage television series that aired for a few months on ABC in the spring of 1983.

Chronicles the story of the Adams political family over a 150-year span, including John Adams (drafter and signer of the Declaration, accomplished diplomat, and the 2nd President of the U.S.), his wife Abigail Adams, his son John Quincy Adams (acclaimed Secretary of State, the 6th President, and prominent abolitionist Congressman), grandson Charles Francis Adams, Congressman and Ambassador to Great Britain during the Civil War, and much-heralded members of the fourth generation Henry Brooks Adams, the historian and author of the novel Democracy, and Charles Francis Adams II, the industrialist.

Magician Alexander Blacke, with some help from his con-man father Leonard, solves mysteries that get in the way of his performances.