Parviz Parastouei

Khosro Paziresh, poor inventor of a magical washing powder went to see the CEO to manufacture his invention But accidentally fell into the elevator shaft.

The satirical commentary on clergymen in post-revolutionary Iran. While in prison, petty criminal Reza (Parviz Parastui) comes across a clergyman, sparking a plan for escape. Reza dons his new acquaintance's clerical robes and makes a bid for freedom. He soon learns that being a clergyman brings little respect from the public. Reza travels to the outlying villages, from where he plots to escape the country. However, his plans must be put on hold when the villagers accept him into their community and expect him to perform religious duties. Will Reza's prison break transform him into an unlikely pillar of the community?

Bahman (Parviz Parastui) returns from Europe to put his late father's house in order. The maid, Pari (Mahtab Nasirpour), hired by Bahman's cousin, arrives to help him out. Hired against his will, he finds her intrusion annoying. When Pari needs his help, the isolated Bahman must decide whether to get involved. Pari’s life is complicated and her friendship with the young, unruly Samaneh, may be her downfall. Soheila Golestani's directorial debut is a beautifully shot and thought-provoking triumph.

An Iranian family who goes to Istanbul, Turkey. Ibrahim is a nightclub singer who, like other singers of that era, is being removed from the scene with the 1979 revolution. But since Abraham was not well-known at the time, he cannot become a Los Angeles singer. Eventually he becomes the singer of various ceremonies. They just don't agree with us and tell us Motreb

Hamid Afshari, the secretary at the courthouse (Parviz Parastui), is running out of money to buy a computer for his son. Desperate, he plans to kidnap Farzan, the son of Mr. Zare, a rich party that had a trial in court. For this, he takes for accomplice Asghar, a gangster already condemned. Asghar locks Farzan in a villa in the suburbs. To catch the kidnappers, Mr. Zare feigns a state of emergency and is hospitable. Hamid Afshari rushes to the hospital to inquire about his state of health. Roya, the nurse who informs her (Fatemeh Motamed-Arya), seems very welcoming and helpful. Finding her to his liking, Hamid feels very quickly in love with her...

Officer Ghorbani is a good and on time police officer but when a mummy corpse is find his troubles and adventures begin and he has to find a way to save the mummy from the thieves.

Youssef, a blind university professor, is suddenly diagnosed with a fatal disease and must undergo treatment in France. Back home, will he find the life he had before?

A once thriving reception hall has been reduced to catering to the funeral business and the somber rituals of death. The owner, Soleimani, is a sour, lonely and unloved old man who treats his workers with contempt, inflicting small cruelties whenever possible. Embittered and seeing a psychologist, he decides he will close the business in twenty days, sending his staff, already fighting just to get by, into a state of fear and uncertainty. Like a close-knit family, the staff members endure their daily suffering together. These good-hearted people include an ostracized young widow trying to survive with her daughter; a chef with a paralyzed arm who has a demanding wife; and two young men, working but homeless, who must sleep in the company's truck. Despite Soleimani's indifference to their plight, the people on his staff have retained their hope and humanity. As the threat of closure nears, they work together to save the hall and at the same time attend to each others' emotional needs.