Dragoș Witkowski

A continuation of a story started in the drama "With Clean Hands" (1972). Commissioner Miclovan's last cartridge is still hot in the pocket of Roman. Left without Miclovan's support, dead in action, Commissioner Roman wants to see his murderer, a very powerful local mafia and smuggler, Mr. Semaca, acquitted by the court for lack of evidence, punished. But before dealing with Semaca, Roman receives a new mission, this time undercover: the capture of a German spy still active in the country, suspected to be hiding in a monastery. In this mission, Commissioner Roman also has a helper, Oarca, a former underwriter who proves good at everything and especially at car chases on serpentine...

The adventures of three Romanian inept petty criminals during the 1970s.

A psychological movie about the life of three sisters in a Romanian village.

Misc. Brigade must solve a drug traffic case, in their own way

A police major is investigating a gangster.

Two spies (Marcel and Remmy), employed by foreign trusts, come to Romania to sabotage Professor Turtureanu's invention.

The village innkeeper Lejba Sibal and his pregnant wife Sura are threatened by Lejba's former farmhand Georg, who wants to kill them both at Easter. After Lejba has sought help from the authorities in vain, he decides to fight back himself.

A bearded director named EVA, a fictive Rainer Werner Fassbinder, lives in a large house with his cast and crew as he films Dumas' Lady of the Camellias. His accountant informs him he has many unpaid bills and little cash on hand. EVA throws a fit and fires him. He then proceeds to play one person off against another, dismiss with cruelty his recent lover Ali, sleep openly with his leading lady Gudrun, and make a direct and public play for his leading man, Walter. He's mercurial, dictatorial, and manic. Will he finish the film, having drawn great performances from his actors through his manipulations, or will his antics set events in motion that spin out of his control?

In an unusual spaghetti western setting, a man - played by Ilarion Ciobanu - returns to his home village after spending time at the front. He finds his wife in the company of another man - played by Anușavan Salamanian - who is also raising his son. The confrontation between the two is at its most intense when they exchange glances that, in Ciobanu's case, seem to be a textbook study in Clint Eastwood's taciturn protagonist from Sergio Leone's famous trilogy. In many ways, People Aren't Goats stands out among all the other student films of the period. But the point where it proves most particular is its belonging to a genre - spaghetti western - at that time still new worldwide, whose national exponent will remain Ilarion Ciobanu, through the roles he played in the singular western trilogy, released a few years later, in which the people of the Ardennes go through all sorts of adventures.

The Iron Guard, also known as Legion of Archangel Michael, was a Romanian nationalist and patriotic movement of extreme right; as such, after it rose to power, it supported Nazi Germany and started a fierce campaign of retaliation against its political enemies. As such, in the night of November 26-27, 1940, the Death Teams executed forty political prisoners in the Jilava prison (in the movie, named "Viraga"), and next day, other two Teams arrested and shot the former minister Virgil Madgearu and the world famous historian Nicolae Iorga. To squash down the political outcry, the Police Prefect Stefan Zävoianu conveniently assigns the cases to a commissioner from the "Morals Division" (prostitution, thieves), Tudor Moldovan, hoping that he will fail to get to the bottom of the case. However, Moldovan has communist sympathies, so he quickly comes under the influence of the Bolshevik Pîrvu, who had escaped during the Viraga...

A group of firefighters discover explosives on an abandoned ship which threatens the local city

Ruxandra, a young woman just out of school, decides to become an actress, convinced that personal charm can keep instead of talent.