P. Kannamba

Due to unforeseen circumstances, Suguna ends up marrying Raja Shekar, her lover Chandra Shekar's older brother. However, when their past relationship resurfaces, things get complicated.

Mayalokam is a 1945 Telugu-language film produced and directed by Gudavalli Ramabrahmam under the Sarathi Films banner. It stars Akkineni Nageswara Rao and S. Varalakshmi.

After King Siddhoji's wife instigates him against his three nephews named Somoji, Subandhi and Firoji, a series of unfortunate events occur.

Punar Janmam (Rebirth) is a 1961 Indian Tamil-language drama film directed by R. S. Mani. The film stars Sivaji Ganesan, Padmini, Ragini and P. Kannamba in lead roles. The film, produced by N. S. Diraviyam under Vijaya Films banner, had musical score by T. Chalapathi Rao and was released on 21 April 1961.

1959 Indian film starring Akkineni Nageshwara Rao, Savitri and S.V. Ranga Rao

After losing his entire wealth to a courtesan, Kovalan returns to his wife, Kannagi. She offers him her last piece of jewellery to help him but he is falsely accused of theft and beheaded by the king.

Jeevagan, a brave warrior, is selected as the guard for Rathna, a princess. They fall in love, but the king's minister, Veera Kesha, frames him as a traitor to carry out his plan to seize the kingdom.

The legend of the romance between Mughal prince Salim and Anarkali.

Chandrasekaran, an industrialist, is very successful in his business and has a loving family. His three sons and two daughters live happily as one family. He brings up an orphan, Rangan (Sivaji Ganesan), who is utterly devoted to the family. Calamity strikes the family in the form of loss in business. The last daughter's marriage gets cancelled. The brothers and their wives ill-treat their parents and Rangan and his wife. Seeing this Chandrasekaran has no choice to ask Rangan and his wife leave their house. Aftermath Chandrasekaran dies a broken-hearted man leaving his wife and youngest daughter to be in their children's merciless hospitality. Rangan, with his simplicity and pure-hardheartedness, takes it upon himself to look after the mother and sister. In the end, he proves that love and affection is the greatest wealth.

This movie deals with the later part of Ramayana written by Valmiki Maharshi and depicts the lives of the sons of Rama & Sita.

Based on age-old Buddhist folklore connected with Mauryan Emperor Ashoka's son Kunal.

Lawyer Ganapathi and his wife Annapurna are the eldest members of a family. His brother Subbu and his wife Anusuya live in the village. The duo treats their cousin brother Gopu, who is an idealist, as their own sibling. Annapurna is a chronic patient so Gopu's wife Susheela takes care of the family. Jealous of the bonding between Annapurna and Susheela, Anusuya creates a rift between them. Gopu and Susheela move to the village. Gopu propounds cooperative farming and prospers.

Karthavarayuni Katha (transl. Story of Karthavaraya) is a 1958 Indian Telugu-language Hindu mythological film, produced and directed by T. R. Ramanna under the R. R. Pictures banner. It stars N. T. Rama Rao and Savitri, with music composed by G. Ramanadhan and Ashwathama. The film was simultaneously made as the Tamil movie Kathavarayan (1958) by the same banner and director.

Thanabakkiam and her daughter Sundhari are forced to leave the village after Sundharam grabs their land and house. Later, Sundhari becomes friends with Kanagu when her mother saves his life.

Manjal Mahimai (English: Power of Turmeric) is a 1959 Tamil language drama film, produced by D. Madhusudhana Rao under Annapurna Pictures and directed by Adurthi Subba Rao. Starring Akkineni Nageswara Rao, Savitri in the laed roles and music composed by Master Venu. The film is based on Aasapoorna Devi's Bengali novel Agni Pariksha which was first remade as Telugu movie Mangalya Balam (1958); both the movies are made simultaneously by same banner & director and some of the scenes & artists are same in both versions. It was later remade as Hindi movie Chhoti Si Mulaqat (1967) with slight changes, starring Uttam Kumar, Vyjayanthimala in pivotal roles

When asked by the king what his ambition is, prince Pratap says he wants to marry four celestial maidens. The angered king exiles him and Pratap sets off on a quest to find the maidens.

The film is based on two couples – where the first couple Dr. Chandra Shekar (Gemini Ganesan) & Parvathi (Anjali Devi) and the second couple is Ravi (A. Nageswara Rao) & Lakshmi (Savitri). Ravi & Lakshmi are happy lovers. Ravi is summoned and asked to marry another girl forcibly. Since his father's life & honor are at stake, Ravi agrees to the marriage. Simultaneously another marriage takes place in the same village Dr. Chandra Shekar visits his best friend's sister marriage but the marriage cancels in the last moment due to dowry problems to keep up his friend's prestige Shekar marriage's his sister called Parvathi. Due to sudden marriage, the couple doesn't see each other. Thereby because marriage is happening without his wish Ravi also not seen the bride's face. Both the bridal parties traveling on the same train which run into a disastrous accident. In the accident Ravi's parents and wife are dead.

Parvathi is excited that her youngest daughter, Geeta, has received a marriage proposal from a rich family. However, things go awry when Parvathi's husband, Chandrasekharam, goes bankrupt.

The film revolves around couples - Dr. Chandra Shekar and Parvathi ahead Venu and Lakshmi. Charana Daasi (transl. Wife) is a 1956 Indian Telugu-language drama film written by Vempati Sadasivabrahmam and directed by T. Prakash Rao. It stars N. T. Rama Rao, Akkineni Nageswara Rao, Anjali Devi and Savitri, with music composed by S. Rajeswara Rao. The film is based on Rabindranath Tagore's 1906 Bengali novel Noukadubi. It was simultaneously made in Tamil as Mathar Kula Manikkam (1956). Story and Dialogues were by Vempati Sadasivabrahmam

Manohara produced by M. Somasundaram. The Sivaji Ganesan-L. V. Prasad production was distinct, becoming a cult classic. Karunanidhi virtually rewrote Mudaliar’s play, introducing interesting changes like the climactic sequence for which he drew inspiration from “Samson and Delilah”, especially the part where the blind Samson pushes the pillars down. Mu. Karunanidhi’s writing was superb with a contemporary touch. His dialogue had punch, satire, wit and humour. Sivaji Ganesan was excellent in his dialogue delivery and P. Kannamba who played the queen mother was equally brilliant. Her line, ‘Poruthathu podhum, pongi ezhu, maganey’, became quite famous.