Vladimir Presnyakov Jr.

Russian army recruits complete training and take their posting in late 1980s Afghanistan, where the insurgents are slowly gaining the upper hand.

An unofficial sequel to the movie "Ivan Vasilyevich Changes His Profession". The events take place on New Year's Eve 1997-1998, 24 years after the events of the movie. According to the plot, the main characters (Shurik, Bunsha, Zina and Ulyana Andreyevna) are going to celebrate New Year's Eve, and the engineer Alexander Sergeyevich Timofeev (Shurik) decides to present his recreated (and modernized) time machine to the guests. Having gone to the XVI century, they find there an aged Georges Miloslavsky, who has been sitting as regent for 25 years instead of Ivan the Terrible, who has run away; the Tsar was so inspired by the profession of Zina and Yakin that he decided to try his hand at filmmaking and went to "Mosfilm" instead of the Tsar's chambers. In an effort to correct the disruption of the course of history, the heroes re-engage the time machine and travel back to the 1970s in search of the Tsar, who dreams of becoming an actor.

Very dreamy boy who is also a young poet, met a fairy who gave him the ability to do good in PE (specifically high jumping) with a condition that he will not say lies; once he commits a smallest lie, his abilities are gone...

A Baba Yaga's grand-daughter gets into the argument with the young son of Kashchey and decides to leave the magic forest.

With a brother dedicated to punk rock stardom at any cost and a drunken father who chases skirt between robotic dancing lessons from the TV, young Senka stands as much chance of nurture as the hero of Truffaut's 400 Blows. The amazing thing about Ogorodnikov's film is that it was made in Russia. Clearly, plenty of Soviet teenies share the nihilistic feelings of their Western counterparts, and the extensive footage of safety-pin chic at concerts perhaps points to a sound export instinct on the director's part. Senka's brother Kostya is under pressure from Howmuch, a very heavy rocker, to steal a synthesiser from the Community Centre, so to protect him Senka steals it himself. The story occupies little more space than the music, but the performances are splendid enough to lodge Senka's predicament in the heart.

Five novels about a radio network in our life. Someone use it as a tool for influence, someone for an expression of feelings and someone just for cynical calculation.