Christina Indrenius-Zalewski

In this somber, psychological drama about the conflict between a man's innermost feelings and a society that puts these feelings in a strait jacket, the mood is ruminative and depressing throughout. Alone, Viktor (Sven Wolter) heads off for his usual summer vacation to some islands where he can ostensibly look for antiques for his wife's shop in Stockholm. His marriage is a failure or worse -- he raped his wife before he left home, and he is obsessed by erotic imaginings. Once on the islands, he makes friends with a little girl whose mother is mentally disturbed and is kept by her husband in a locked room. The islanders are as tight-lipped as Viktor, and any communication is stiff and artificial. Viktor's own alienation begins to slip as he takes surprising, violent action to turn around the imprisoned mother's life -- but it does not work, nothing seems to work -- and his last actions indicate that he may not be willing to simply give up.

An ageing wrestler and circus strongman is put in an institution located somewhere in a world of its own.

Sammeli from Näljängä and Einari from Haataja, who were hunting bears, encounter Natalia, a cow that has crossed the eastern border. In the name of friendship between neighboring countries, Natalia is asked to return to the Soviet Union.

After suffering a traumatic incident, Molly moves into a new apartment to begin her path to recovery, but it’s not long after her arrival that a series of persistent knocks and screams begin to wake her up at night.

Summer vacation has just begun. In honor of it, Serena Rapper and Lennart Lindberg decide to go on holiday. Ricky gets a new bicycle as a consolation, but it disappears mysteriously. Ricky and Nelly Noodlehead go looking for it which turns into a thrilling adventure.

The story of Anna, who is searching for true love and meets Lauri on Midsummer's Eve.

A woman who has been raped by a man at a party plots and executes an elaborate and humiliating revenge.

Based on Franz Kafka's famous novel, director Jaakko Pakkasvirta created this interpretation of the woebegone Josef K., who is trapped in an ever-increasing labyrinth of double talk and bureaucratic nonsense in his efforts to reach the castle. As Josef seeks to make an appointment to see the ruler Herr Klamm inside his inaccessible abode, he becomes enmeshed in abuse from lowly villagers and bureaucrats alike. His endless false starts toward the castle's enigmatic interior are partly offset by a few sexual encounters but nothing alleviates his role as a victim of forces beyond his control.