Emil Trier

The chronicles of four years in the life of Julie, a young woman who navigates the troubled waters of her love life and struggles to find her career path, leading her to take a realistic look at who she really is.

A recovering drug addict is granted a day’s leave from rehab and returns to Oslo, where he reconnects with friends, faces the weight of his past, and struggles with uncertainty about his future. Over the course of one day, he drifts through encounters that reflect his longing for connection and his deep sense of alienation.

This engrossing documentary follows the much-acclaimed Norwegian writer Karl Ove Knausgaard as he is invited to guest-curate an exhibition of paintings by Edvard Munch at Oslo’s Munch Museum. Co-director Joachim Trier appears onscreen alongside Knausgaard as they visit several key locations from the celebrated painter’s life, searching for insights into his imagination and vision as they discuss his vastly influential oeuvre, his themes and obsessions, his approach to rendering everyday things and strongly emotional scenes alike. Knausgaard’s interpretation of Munch proves to be captivatingly unorthodox, and the Trier brothers thrillingly seek to connect his thoughts about the painter to his own literary project, yielding a double portrait of two of Norway’s most essential artists. (Film Society of Lincoln Center)

The charismatic young entrepreneur Waleed Ahmed started his own company at age 18, and was referred to as "The Norwegian Mark Zuckerberg". He quickly gained access to politicians, diplomats, and royalty. His short-lived and grandiose career ended with an arrest by the FBI and an 11-year prison sentence for fraud. This portrait tells a larger narrative of belonging, identity, fraud, and dreams.

Former childhood friends Christian and Erland, now in their late 20s, are confronted with their own adolescence as they go searching for Christian's estranged little brother in a scene they're not familiar with - contemporary youth culture.

From 1978 to 1989 skateboarding was illegal in Norway, as the only country in the world it was not legal to sell, buy or use skateboard in this period. The film follows two generations of skaters - from the underground culture in the late 70s, with skating on secret locations in the forest around Oslo, to the commercial explosion when skating was legalized in 1989. The film says something about the Norwegian governments overprotective policy, but it also shows the paradox of how the prohibition led to a unique and creative environment.

After 26 years of tournament drought, Norway's 2026 World Cup hopes were next to nil. But what followed rekindled belief.