Michael Edols

The Australian Aborigines (in this film anyway) believe that this is the place where the green ants go to dream, and that if their dreams are disturbed, it will bring down disaster on us all. The Aborigines' belief is not shared by a giant mining company, which wants to tear open the soil and search for uranium.

Carol is a top runner, coached by her father day and night. Then she sees Angie, the punk new girl, dancing magnificently and alone. The two become friends and Carol begins to rebel, but the all-imporant race is coming up!

Lalai Dreamtime takes the viewer into pre-settled Australia to show a myth from the spiritual tradition of the people. It is the story of Namarali, as presented by Sam Woolagoodja to his son Stanley and his granddaughter Kerry. Namarali is the law-giving 'Wandjina' of the Worora people who, along with him, have many other such Wandjinas. The 'Wandjinas' are ancient creators whose presence is real in the painted imprints of cave walls and in the shape of specific land formations. The film shows the importance of the Dreamtime in the Aboriginal culture.

A middle-aged alcoholic is sentenced to six weeks in jail for a minor offense. While there he undergoes psychiatric treatment for his alcoholism and is committed to a hospital for the criminally insane for the duration of his sentence. However, under Section 27A of the Queensland Mental Health Act, he can be detained indefinitely until the hospital authorities declare him eligible for release.

This short documentary showcases three Australian music acts—Wendy Saddington and Teardrop, the Captain Matchbox Whoopee Band, and the Indelible Murtceps—each performing live as examples of distinct directions in the country’s early 1970s pop scene.

A group of Miskito Indians use Nicaraguan child soldiers in their resistance against the Sandinistas.

On 20 October 1973, the Sydney Opera House was officially opened by Queen Elizabeth II. From conception to completion, it had taken more than 15 years and over $100 million dollars. In the years since its completion, the Sydney Opera House has become one of the most identifiable of Australia’s icons - ranking with the Sydney Harbour Bridge, Uluru, the koala and kangaroo - and is considered by many to be among the world's great architectural masterpieces.

A sensitive portrayal of a young office worker who alleges sexual abuse by her employer. She loses her job as a result of her claims. This dramatised situation looks at the ways in which an employee can be victimised in an office environment without those around being aware of the situation.

Originally broadcast on ABC's True Stories in 1993, Feed Them to the Cannibals tells the story of Sydney's Gay and Lesbian Mardi Gras. It was the first time cameras were allowed at Sleaze Ball and the Mardi Gras Party.

AT LAST, the long-lost film inspired by Australia's first rock festival - The Pilgrimage For Pop Festival - at Ourimbah, near Sydney in 1970.

Tony is released from prison and goes in search of what once was happiness: Anna. He hits the road hoping to find her and makes a friend along the way.

Flesh and fantasy fill the nights of the call girls at Bambi’s, a flashy back street brothel. Join Bambi, Candy and the girls for an evening or two and find out what happens in the violent world of sex for sale. Candy is new to the business. She follows all of the rules of the house - she arrives on time, doesn’t take drugs, is polite to customers, and numb to all the men who used her. Then she meets Reg and breaks the most important rule - don’t fall in love with one of your customers. Their first encounter leaves her longing to see him again. She fantasizes about the love they share and how idyllic their life together would be. But the facts are clear. Candy is a hooker and she will never be a real part of his world … she’s one of Bambi’s girls. She has seen his life and felt his love, a brief glimpse is all she’ll ever have, KISS THE NIGHT!

Part 2 of the History of Australian Cinema series. Covering the 1920s and 30s. From an origin that promised so much, the Australian film production industry faced new challenges from abroad which ultimately proved to be more than they could cope with. Unfortunately very few films from then now survive.

The year is 1789. In the central Pacific Ocean the crew of Her Majesty’s Ship Bounty mutinied against their captain, William Bligh, and cast him adrift with 18 other men in an open boat, 150 kilometres from Tonga. In an extraordinary feat of seamanship and navigational skill, Bligh proceeded to pilot the packed longboat through the cannibal-infested Fiji islands and across to the Australian mainland, landing on Cape York after a dangerous entry through what is now Bligh Passage. After a brief stay, and fearful of the local Aboriginal people, he set sail again, arriving in Dutch Timor from where he and his men took a ship back to England.

A compelling account of the return by a group of dispossessed Aboriginal people to their ancient tribal grounds in the Northern outreaches of this continent.

The lively atmosphere of Sydney’s famous landmark, Paddy’s Market in Haymarket, documented on film before the market moved to a new location. A Film Australia crew gets up early to shoot the stall holders selling fruit, vegetables and all things second hand. Shot in vibrant colour Out They Go captures the earthy dignity and vitality of the workers at the market as they go about their business, right in the heart of the city.

The events took place in June/July 1973 and the film was made with the help of the Mowanjum Community