Sasu Haapanen

An apparent suicide of a successful architect prompts an investigation into his death. A young man investigating can't believe that his well-respected boss would take his own life until he discovers that the man had a loveless marriage, another woman on the side, and a general feeling of malaise – a condition caused by the fact that he very nearly sold himself out to the lure of big money.

Katariina, an orphaned girl from the north, travels to Helsinki to live with her distant relative Mauri, who has been appointed her guardian. The unpretentious child of nature irritates, amuses, and charms Mauri, who is accustomed to high society, and his bachelor friends.

Niskavuori's Aarne (Arne från Niskavuori) is a Finnish drama film from 1954. It is based on Hella Wuolijoki's play Niskavuori's Bread. In chronological order of the Niskavuori series, the film is the fourth. Aarne has married Ilona and left the house in Niskavuori, which he hosts, where his former wife Martta still lives, while the old mistress is holding the reins. Aarne and Ilona live in Helsinki, but Aarne has not been able to completely break away from Niskavuori, but keeps secretly in touch with the headmaster and gives instructions on the farm management.

A successful doctor moves back to her home village and notices severe flaws in its health services.

Pekka is given the task of renting a summer place, but real estate agent Aadolf Muikku tricks him into buying a villa.

Due to the post-war housing shortage, Pirkko, who has nowhere to sleep, is given accommodation at the full-service guesthouse run by landlady Töttermanska. There she meets the other residents: student Eskoo, foreman Heikki, antique dealer Theodor, and businessman Roope, whose acquaintance with the beautiful Dolly draws the whole group into criminal activities.

Baron von Sumers, owner of the Tottisalmen estate, sends his mischievous grandson Klaus to learn manners at the vicarage in the neighboring parish. Yrjö, the vicarage's farmhand, has an accident because of Klaus and ends up in Tottisalmen for medical treatment. When Yrjö's resemblance to the baron's missing son is noticed, events from the past begin to unfold.

Based on short stories by early 20th century feminist writer Maria Jotuni, the film is a series of lively dialogue scenes between men and women, young and old, living in a small Finnish town. Most episodes evolve into humorous battles between the sexes. The film's central character is a young maid played by Maija Karhi.