Clarisse Abujamra

Rachel is a girl, adopted by an upper middle class family, who rebelled at 17 and left her family and studies at a traditional college in Sao Paulo to become a sexy call girl. Shortly after starting work, she decided to write a blog about her experiences. Since some clients thought she looked like a surfer she adopted the name "Surfistinha" which means little surfer girl.

A sweeping drama set in the chaotic aftermath of the US invasion of Iraq, where the life of top UN diplomat Brazilian Sérgio Vieira de Mello hangs in the balance during the most treacherous mission of his career.

An anguished university student in his early 30's ponders the state of his life in light of his relationships with a politicized classmate, a TV actress selling the image of a femme fatale and his bourgeois sister.

In the ghettos of the greatest metropolis in Brazil, a midst flying bullets, love and any number of hurdles, young people's stories mingle and collide in the search for dreams and choices. Inspired by true stories, the feature film 'Broken Town' reveals the struggle faced and the choices made by teenagers who have always been surrounded by weapons, crime, and hardship.

The story of Jonathas, an orphan who had been adopted and then "returned" due to his effeminate mannerisms.

Cleo, a 43-year-old astronomer who is pregnant and emotionally fragile, is surprised by a visit from Nalu, her half-sister of Indigenous descent. The encounter reveals dark secrets and stirs up fragmented memories in Cleo, leading the two of them down a path of mysterious investigations.

An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.

Rosa is in her late 30s, a child of the 1970s with divorced parents. She lives with her own family in São Paulo. Overwhelmed by an eruption of individual passions, lies and the expectations of three generations, she tries to discover who she really is.

The young Beto ventures to the Brazilian countryside in search of a collection of rare drawings. There he meets Samir, the collector, and his family ruined by the demise of the cocoa plantations. The journey and the encounter will irrevocably change the young man’s soul.

Julio is a peaceful, uptight dentist who planned his life 80 years in advance. Suddenly dumped by his girlfriend, he also finds out he is the son of a womanizer, a popular singer of the 1970s, and the brother of an intense gay musician, both of whom he never knew—until now.

Eva is a beautiful model who’s hired to star in a campaign to sell a marvelous new product: the male contraceptive pill. But it isn't easy to win the confidence of its target market, since they believe it causes impotence.

It's more dificult to love than to be bewitched. The film has as it's central theme the loving separation, but the consequences of this separation are attributed to occult forces that throwing the protagonist in the world of Afro-Brazilian mystical religions.

The lives of three teachers in the outskirts of São Paulo, their love lives, their interaction with the poor surroundings, their family problems.

A group of friends, who resisted the military dictatorship, and their children will face the conflict between the daily life of today and the past when one of them is dying.

Tom and Alice decide to strengthen their marriage in a romantic cottage, but the road holds surprises and they will depend on the help of the mysterious Senhora H. As the night goes on, the secrets of this marriage are revealed and the only hope of survival for the couple will be to embrace their own madness.

Less than three months before the presidential elections in Brazil, a renowned newscaster faces an explosive ethical conflict that involves his work at the head of his program and his personal relationship with two presidential candidates named as favorites in the polls.

An exemplary citizen leaves as a legacy, in addition to his vast predicates, something totally unexpected: photos and compromised documents of his clandestine love life and political conspiracies.

Leandro is a young man frustrated by his job. His master’s thesis is on the military dictatorship in Brazil. That takes him into a search for recently deceased artist Jairo Mendes’ controversial film The Beheading Game, which was censored by Brazilian censors in 1973.

The movie depicts the political crisis that led to the suicide of president Getúlio Vargas, in the 19 days that preceded August 24, 1954. The crisis began with the attempted assassination of journalist and politician Carlos Lacerda in August 5, 1954, at rua Toneleros, Rio de Janeiro, in which Major Vaz was assassinated instead. Investigations pointed to Gregório Fortunato, chief of Vargas' personal guard, as the orderer of the frustrated assassination. This incident was one of the most importants in the history of Brazil.

Based on fact, this is the story of the struggles of Japanese immigrants who traveled to and settled in Brazil looking for a better life.

Mari is a talented but insecure chef who dreams of running her own restaurant. She goes through a challenging professional time, taking orders from an authoritarian boss who inhibits her talent. One day she meets Caio, a charming young man who provides the conditions for her to realize her dream. Caio shows Mari that she should trust herself and open her own restaurant. However, things are not always what they seem to be.

In an ancient family mansion, mother Sydia and daughter Nina spend a tense night of isolation just as a solar storm threatens to collapse the Earth’s gravity. What begins as a fraught domestic moment quickly shifts when a mysterious visitor, Lara, arrives, and the house’s long‑missing employee, Joana, returns with disturbing news from the outside world. As the cosmic and terrestrial crises gather, the four women are forced to face buried secrets, generational trauma and shifting power dynamics. Their physical refuge becomes a battleground of psychological and symbolic upheaval, where the end of the world becomes mirror to the end of the old order — and perhaps the beginning of something new.

After her father's death, Pollyanna is sent to live with her rich and authoritative aunt, Pollyanna now has to adapt to a new life by playing the glad game and venturing into new experiences

Set in 19th-century Brazil during the waning years of slavery, Escrava Isaura tells the story of Isaura, a white-skinned enslaved woman raised with the manners and education of a noble lady. Though treated with affection by her mistress, Isaura remains legally enslaved and becomes the object of obsessive desire by Leôncio Almeida, the cruel heir to the plantation. After the death of her protector, Isaura falls under Leôncio’s control. Despite his attempts to seduce and dominate her, she resists, determined to preserve her dignity and freedom. Her father, Miguel, helps her escape to Recife, where she adopts a new identity and meets Álvaro, a wealthy and principled abolitionist who falls in love with her. Leôncio eventually tracks her down, leading to dramatic confrontations. In the end, Álvaro rescues Isaura by purchasing Leôncio’s debts, securing her freedom and affirming the story’s central themes of justice, love, and resistance against oppression.

Written by Manoel Carlos, “The Presence of Anita” is an amazing story about love, passion and the traps of destiny. Anita is an angel faced teenager who seduces a writer, destroying his family and his life. According to her, nothing is coincidence. Destiny is already written and she cannot change her fate.

Maria Esperança is a Brazilian telenovela produced by SBT and originally broadcast from March 26 to August 7, 2007. It is a Brazilian adaptation of the Mexican telenovela María Mercedes (1992), created by Valentín Pimstein and based on the original story Enamorada by Inés Rodena. Adapted by Yves Dumont, with text supervision by Henrique Zambelli and Thereza di Giácomo, the telenovela stars Bárbara Paz and Ricardo Ramory. The story follows Maria, a humble young woman who sells flowers on the streets to support her family. Her life changes when she meets Eduardo, a wealthy man who marries her to protect his inheritance and challenge his greedy relatives. After his death, Maria becomes the heir to his fortune and faces the hostility of those who want to take everything from her. Amid secrets, betrayals, and family conflicts, she discovers love and learns to fight for her happiness.

A poor young woman, unhappy with her inevitable destiny as a suburban housewife, gets a job as a nanny for a wealthy family and falls in love with her employer's brother, using every trick to win him over and ultimately become the lady of the mansion. .

Poliana Moça is a Brazilian telenovela produced and broadcast by SBT from March 21, 2022, to May 24, 2023. Based on the novel Pollyanna Moça (1915) by Eleanor H. Porter, it is a sequel to As Aventuras de Poliana (2018–2020). Adapted by Íris Abravanel, with collaboration from Carlos Marques, Denise Barbosa, Danilo Castro, Fernando Pripas, Grace Iwashita, Gustavo Braga, and Marcela Arantes, and directed by Ricardo Mantoanelli, the telenovela stars Sophia Valverde, Igor Jansen, Dalton Vigh, Thaís Melchior, and Otávio Martins. The story follows Poliana D’Ávila Monteiro, now a teenager, as she faces the challenges of growing up. While continuing to practice the “jogo do contente”, she discovers that adolescence brings new responsibilities, friendships, romances, and conflicts. Alongside her family and friends, Poliana must deal with personal challenges, secrets, and unexpected situations while learning important lessons about maturity, love, and resilience.

In the interior of southeastern Brazil, a powerful race horse explorer deals with his dysfunctional family while competing against one of his former employees - now a wealthy man.

Éramos Seis is a Brazilian period drama telenovela produced by SBT and originally broadcast from May 9 to December 5, 1994. Based on the 1943 novel of the same name by Maria José Dupré, it was adapted by Sílvio de Abreu and Rubens Ewald Filho, with direction by Henrique Martins and Del Rangel and general direction by Nilton Travesso. The telenovela stars Irene Ravache, Othon Bastos, Jandir Ferrari, Tarcísio Filho, Luciana Braga, and Leonardo Brício. Set in São Paulo between the 1920s and 1940s, the story follows Dona Lola, a devoted wife and mother who struggles to keep her family together despite financial hardship and personal tragedy. As her four children—Carlos, Alfredo, Isabel, and Julinho—grow into adulthood, each follows a different path shaped by love, ambition, and loss. Through decades of sacrifice and resilience, Lola witnesses the joys and sorrows of family life while enduring profound changes that ultimately leave her to reflect on a lifetime of devotion.

Os Ossos do Barão is a Brazilian telenovela produced by SBT and originally broadcast from April 28 to September 8, 1997. It is an adaptation of Jorge Andrade's 1963 play of the same name, adapted for television by Walter George Durst, with collaboration from Duca Rachid, Mário Teixeira, and Marcos Lazarini. The telenovela stars Ana Paula Arósio, Tarcísio Filho, Juca de Oliveira, Othon Bastos, and Leonardo Villar. Set in São Paulo in 1948, the story follows Egisto Ghirotto, the wealthy son of Italian immigrants who dreams of gaining social prestige by marrying his son, Martino, to Isabel, the great-granddaughter of the late Baron of Jaraguá. Their romance sparks a bitter conflict between a rising immigrant family and a declining aristocratic dynasty, exposing themes of class, ambition, tradition, and the social transformation of Brazil.

Uma Rosa com Amor is a Brazilian telenovela produced and broadcast by SBT from March 1 to August 16, 2010. It is a remake of the 1972 telenovela of the same name originally produced by TV Globo, created by Vicente Sesso. Adapted by Tiago Santiago, with collaboration from Renata Dias Gomes, Miguel Paiva, Maria Cláudia Oliveira, and Solange Castro Neves, and directed by Del Rangel and Luiz Antônio Piá, the telenovela stars Carla Marins, Cláudio Lins, Jussara Freire, Edney Giovenazzi, and Betty Faria. The story follows Serafina Rosa Petroni, a humble and romantic secretary who dreams of finding true love. After entering into a marriage of convenience with Claude Antoine, a French businessman, to help him solve his problems with Brazilian bureaucracy, the two begin a complicated relationship. Between misunderstandings, family conflicts, secrets, and differences in social background, they discover that a relationship built on an agreement can turn into genuine love.

It tells the story of Chiquinha Gonzaga, a revolutionary musician who marked the history of music in Brazil, and challenged the social standards of her time. Chiquinha was raised very comfortably and had an excellent education provided by his father, Jose Basileu, who expected his daughter to be a lady of the imperial court. But after listening to songs played in a black yard and influenced by friends, such as composer Joaquim Callado, Chiquinha begins to make compositions mixing polka and lundu. By imposition of her father, Chiquinha is forced to marry Jacinto, with whom she has three children. However, Jacinto forbids her to play, and she decides to separate from her husband, going against social standards. Chiquinha, then, fights for his freedom to play and will live with the great love of his youth, João Batista de Carvalho Jr., with whom he has a daughter, Alice.

A mini-series of four episodes which has 4 different stories in each episode. Focused on 3rd age, the series shows how it was and how is the life of the elderly. The series teaches that we should not judge anyone by appearances.

The instigating universe of investigations in Rio de Janeiro, and an anti-hero police officer who dialogues with the rules imposed by the system. In each episode, a crime is investigated and solved, showing how the functioning of the city interconnects all types of residents and visitors.