Fèlix Pons

A young composer moves from Berlin to the island of Ibiza and begins a friendship with an elderly woman whose painful past has caused her to reject everything to do with Germany, including her native language.

In the middle of a strange mental breakdown connected to a new drug called «daisies», Franklin Cloud returns to the neighborhood he grew up in, wishing to find a place to start over, somewhere to belong… and some more “daisies”.

"14 d'abril. Macià contra Companys "is a television drama, allegedly recorded in 1932, but with the methods, style and own means 2010. With this temporary license, the stars of one of the episodes of the Catalan capital twentieth century discussed the facts, in first person, while a nosy camera helps us to relive what happened in Barcelona between 14 and 17 April 1931, the three-day duration of the Catalan Republic. All with the aim of showing the greatness and the precariousness of a gesture, half improvised by Companys key sovereigntist corrected by Macià, and that led to a shouting match.

A metaphorical tale about pain and loss. Sela, a famous writer, committed suicide. Lars, her ex-lover, tries to find out why she did it. In the process, he discovers an unknown world of feelings and sense of guiltiness.

Elisabeth Joyce, a young Irish historian, comes to Barcelona in November 1905, just to assist the assault of 200 soldiers with axes to press the weekly Cu-Cut and the editor of the newspaper La Veu. Elisabeth presence scared these facts and the political firestorm that trigger, facing the army with Catalan parties. Throughout Spain Military officials sympathize with attackers, but one that stands up decisively and confidently to their peers. Is Lieutenant Colonel in Chief of the Engineering Command of Lleida. His name is Francesc Macia Llussà.

Pilar is an ordinary woman who lives immersed in a routine that has never been questioned: work, family and housework. Therefore, when she is unexpectedly told that she is being fired, she enters into a deep identity crisis. Despite everything, she refuses to give up and clings to what she thinks she has left: her role as a mother of two teenagers, but, unfortunately, her children no longer need her as before. In this personal situation, she is moved by the generational clash regarding the young women in her family, who, like a mirror, reflects her longing for a life that she has never lived.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.