Kunto Karapää

Heta, the strong-willed daughter of the Niskavuori family, who is pregnant, marries Akusti, a farmhand, and remains bitter toward Santeria, who broke her heart. Heta and Akusti begin their life together on the modest Muumäki farm, where they are assisted by their loyal maid Siipirikko.

Immersed in his research work, professor Reinhold Varavaara realizes that he has neglected his children's upbringing. He falls in love with his son Pelle's girlfriend Marja and becomes a laughing stock in the eyes of his family. The offended father sets out to discipline his ill-behaved children.

The municipal council of Pinsiö tries to get Taavetti, the 'baron of Pinsiö', to move into a retirement home. However, the baron refuses and flees to Tampere to stay with his nephew Heikki and his wife Liisa. Heikki and his family dream of building their own house, but obtaining a mortgage loan is difficult. Their financial worries deepen when Heikki, as a union representative, has to deal with a strike at his workplace and illegal work practices.

Katariina, an orphaned girl from the north, travels to Helsinki to live with her distant relative Mauri, who has been appointed her guardian. The unpretentious child of nature irritates, amuses, and charms Mauri, who is accustomed to high society, and his bachelor friends.

The story of the first elections in Finland. Farmer Topi Romppainen lives a modest life with his family in Kainuu in the early 20th century. While shopping in the village, Topi hears about the upcoming parliamentary elections. His wife Riikka decides to find out more and ends up at a meeting of the Social Democrats.

A Finnish romantic comedy, based on a play about cousins trying to inherit a legacy. To get the inheritance they must be married, even for a day.

Once a naïve, love-struck girl now forsaken by her lover, Maija leaves her island home to work as a housemaid in the city, only to be seduced by her employer's son Erkki, then forced to leave the household in order to avoid the scandal of a pregnancy. With few prospects for a decent job, Maija is reduced to working as a bar hostess to make ends meet, ever fending off the advances of disreputable clients, even as she continues to hold out hope for an enduring love that will redeem her from her fate.

The last black-and-white film in the Niskavuori series of movies.

Irmeli, a fashion designer enjoying herself in Hanko, is urgently needed at her workplace. Ritva sets off to fetch her sister, but ends up by chance as a maid at Director Markka's villa, where Irmeli soon finds herself too. Director Markka and his nephew Reima are charmed by the clever sisters.

Niskavuori's Aarne (Arne från Niskavuori) is a Finnish drama film from 1954. It is based on Hella Wuolijoki's play Niskavuori's Bread. In chronological order of the Niskavuori series, the film is the fourth. Aarne has married Ilona and left the house in Niskavuori, which he hosts, where his former wife Martta still lives, while the old mistress is holding the reins. Aarne and Ilona live in Helsinki, but Aarne has not been able to completely break away from Niskavuori, but keeps secretly in touch with the headmaster and gives instructions on the farm management.

Architect Matti picks up Ritva and her young son while on a business trip. When the car runs out of gas, the travelers are forced to spend the night at a guesthouse, pretending to be a married couple. During the night, Ritva runs away, leaving the child in Matti's care. Matti tries to cope with looking after the child and keeps it a secret from his wife Maija.

Autobiographical vanity showcase commissioned by Tabe Slioor, a self-made socialite and notorious symbol of loosening morals in early 1960s Finland. The film exploits the scandal she caused as the secret mistress of the mayor of Helsinki. Left unfinished because of her quarrels with the production company, the story relies heavily on her shamelessly narcissistic narration.

While Leena is spending time at a health resort in the countryside, her husband Esa, an accountant, finds himself falling for Kirsti, who works at his office. The breakdown of their marriage also stirs up feelings in their adult children, who begin to question their own ideas about relationships.

Esko makes a bet that he will marry the first young woman he encounters. This turns out to be Kirsti, who promptly turns down the proposals. But when she finds about the bet, she agrees to marry him in order to get her revenge.

Eager young radio reporter Teräsvuori stages a one-man burglary into the Helsinki Art Museum, recorded on tape for a later broadcast by his friend Laakso. Things go awry when a gang of real criminals overhear their plans and book their heist to coincide. Teräsvuori gets caught but escapes from police custody to start his private investigations together with female radio colleague Eila.

Opri is an evacuee from Karelia and is forced to move into a nursing home when his cottage is demolished. He immediately begins to take care of other elderly residents and nursing home staff, as well as their romantic concerns, as soon as he steps into his new home.

The romantic musical comedy Kaikki rakastavat is a key work in Finnish film history since it was the first feature film of Valentin Vaala as the house director of Suomi-Filmi and the film which launched the most beloved screen couple of Finland, Tauno Palo and Ansa Ikonen.

In his will, Assessor Walter Timelius acknowledges that he is the father of his former housekeeper Iida's child. The assessor's sister Agda does not accept her brother's illegitimate daughter Marja Kauria into the family. The jealous aunt is shocked when cousins Hans Timelius and Marja, who are studying together, fall in love with each other.