Angèle Durand

A foreign pianist who comes to visit Paris is ripped off by a young man and his sister. But he soon falls in love with this one.

During rehearsals for a provocative stage play, director Gregor clashes with young actress Dinah, who resists performing an intimate love scene. To challenge her views, he guides the cast through a series of imaginative theatrical tableaux spanning the history of love, art, and desire. As rehearsal and fantasy blur, past ideals confront modern attitudes, forcing the actors to reconsider what intimacy and morality mean both onstage and off.

A re-edited U.S. release of the 1958 West German film Mit Eva fing die Sünde an (Sin Began with Eve), The Bellboy and the Playgirls (1962) features roughly fifteen minutes of new color footage directed by Francis Ford Coppola and edited by Jack Hill. The added material follows a bellboy who dreams of becoming a private detective and spies on a group of women at the hotel—lingerie sales representatives who give him more than enough to investigate.

The story centers on the charismatic sea captain Käpt'n Bay-Bay, portrayed by Hans Albers, who on his wedding day shares tales of his seafaring exploits with his wedding guests after an unexpected delay in the ceremony. The narrative employs a framing device where the captain, waiting at a tavern near the church, recounts through flashbacks his previous romantic misadventures and adventurous encounters at sea, blending humor, music, and exotic locales. These retrospective stories highlight his roguish charm and the obstacles that have shaped his life, all while the present-day celebration unfolds.