Matías Meyer

A fateful day reunites an estranged family in Mexico City, where a chain of events shifts their romantic relationships and uncovers a monumental secret.

The friendship of Juan and Matita, two kids from different social backgrounds, and their brothers who won't allow this friendship.

"Me" is a is a teenager in the body of an adult, a simple being of spirit. He lives and works at his mother's restaurant; "Me" loves his mom and he is loved by everyone, especially Elena, her friend of 11 years. "Me" detests Pady, the man who sleeps with his mother. Sometimes, "Me" sees shadows on people and he knows that means they are going to die.

Julien, a young french comedian, disembarks in Chacahua, a fishing community in Mexico's pacific coast.

On August 1, 1885, in Regina, Saskatchewan, Métis leader Louis Riel (1844-1885) is wrongfully condemned to death for high treason by the Canadian confederation. This film follows his harrowing journey from the day of his sentencing to his execution on November 16, 1885, capturing the profound struggle and injustice he faced.

Inspired by true events, the film follows a young man struggling to reclaim his freedom inside a shelter ruled by a woman whose authority blends maternal care with strict control. As he navigates loyalty, fear, and the desire to escape, the fragile boundaries between protection and domination begin to unravel.

A young man with a backpack walks all on his own into the endless Mexican cactus desert. He takes some peyote. How does he get out again? Pure cinema in the long-take tradition of Lisandro Alonso or Gus Van Sant

The plot occurs around 1925 in Mexico when the Mexican government decides to severely restrict religious freedoms. It is the story of a few rebels, The Cristeros that fight for the right to freely and publicly practice their Catholic faith. The movie follows a few of those rebels with their doubts and their struggles. The movie is loosely based on true historical facts.

In the eyes of a foreigner practically any street of Mexico City’s Centro Histórico holds potential for a film. Life on the street deserves more than just the natural condition of observer anyone could have, it demands an extra attention. In a 100-meter radius, the sociological exuberance of the events going on is simply impossible to ignore. The street is a mise en scène in itself.