Arthur 'Weegee' Fellig

After the insane General Jack D. Ripper initiates a nuclear strike on the Soviet Union, a war room full of politicians, generals and a Russian diplomat all frantically try to stop it.

After a former model is drowned in her bathtub, Detective James Halloran and Lieutenant Dan Muldoon attempt to piece together her murder.

Expecting the usual loss, a boxing manager takes bribes from a betting gangster without telling his fighter.

The best known, "Weegee's New York" (1948), presents a surprisingly lyrical view of the city without a hint of crime or murder. Already this film gives evidence, here very restrained, of Weegee's interest in technical tricks: blur, speeded up or slowed-down film, a lens that makes the city's streets curve as if cars are driving over a rainbow. - The New York Times

1954. USA. Directed by Weegee. Part of Weegee’s New York. “Weegee (Arthur Fellig) filmed, Amos Vogel edited. The preciousness of the avant-garde shown at Cinema 16 was interrupted by this breath of fresh air. Weegee’s panorama of the crowd may be the greatest single shot in cinedom.” – Ken Jacobs

Tina is horrified when she crashes her bicycle into a pond and is rescued from drowning and taken to a nudist camp by her rescuer to recover, but naturist bliss and true love await.

Sammy, a zookeeper, prepares to go on a vacation with his friend. He starts to tell his friend about what a good time he had on his last vacation, visiting alligator farms and nudist camps, which are shown in flashbacks.

Weegee’s last film, a tribute to trash television and commercial culture.

A home movie short capturing the raucous party celebrating the release of Weegee’s second photobook, “Weegee’s People”. The film features appearances by Mrs. George Washington Kavanaugh, who is among the subjects of one of Weegee’s most celebrated photos, “The Critic”, as well as some of the only known footage of eccentric author Joe Gould.

In a battery of photographs created with the use of mirrors, distorting lenses of his own manufacture and easel tricks, Weegee transformed the Mona Lisa into a work of modern art.

Famed crime photographer Arthur Fellig, nicknamed Mr. Wee Gee, stars as himself in this pseudo-documentary that begins when he falls in love with a store window dummy and tracks "her" to London, England, then meets up with a beautiful ghost in a haunted house and finally winds up in Paris, where he meets other beautiful women and ends up being chased onto the Eiffel Tower.

Commissioned by the Pittsburgh Bicentennial Association to celebrate the city’s 200th anniversary, PITTSBURGH was created by a team of filmmakers that included Stan Brakhage (working under the pseudonym James Stanley), Weegee, Len Lye, and Stan Vanderbeek, and photographers W. Eugene Smith and Willard Van Dyke. Brakhage called it “weirdly interesting, but a monstrosity.”

This 1960s instructional film released by Castle Films for the home market, demonstrates various camera tricks performed by “Wee Gee,” or “Weegee,” the pseudonym of Arthur Fellig, a famed photographer and cinematographer who worked in Manhattan and New York City’s Lower East Side.

The neon lights of Time Square’s BOAC sign…in Kodachrome kaleidoscope.

More urban kaleidoscopic experiments in color and B&W.