Sofia Alves

The battle of the sexes? The forces of despair and seduction? On S. Miguel in the Azores, Rogério, a young man with old money, and his enigmatic wife Leonor host a garden party at their villa. The intriguing guests are an older unmarried couple, the philosophical and observant Irene, and Michel, a roué. While Rogério and Irene talk, Michel and Leonor go down to the sea. The conversations upset Rogério and capture Leonor's imagination. Five years later, the four dine at the villa. Michel and Leonor again leave the other two. Intentions and undercurrents are subtle. One of the four proves strong, one weak, and two must choose. Wind and rain bring down the curtain on both acts.

Ema is a very attractive but innocent girl, so pretty that cars crash in her presence. In her youth she marries Dr. Carlos Paiva, her father's friend, to whom she is not attracted. They move to the valley of Abraham. Carlos loves her, but decides to sleep in a separate room to avoid waking Ema when he has to return late at night. As time goes by she begins to feel unhappy about her marriage, so she finds a new lover.

This odd film is a major representative of an even odder film genre: direct-to-celluloid opera. It was commissioned by the Portuguese master of style, director Manoel de Oliveira from composer João Paes. Musically, it ranges from 19th-century romanticism to popular, modernist and even "post-modernist" styles. In the initially tame story, a host-narrator tells the story of a wedding between the two lovebirds: Viscount d'Aveleda and the beautiful Marguerite. However, what happens in the bridal chamber is incredibly bizarre. The events after that are even stranger, and the wedding guests and family indulge in cannibalism, among other perversions.

Inês is a teenager from a wealthy family. However, after classes, he participates in risky sexual games, compulsively uses the internet and attends the nightlife of Lisbon, entering a spiral of total destruction.

A blind beggar is robbed of his chest of money. The theft leads to a dramatic situation in the street where he begs every day.

The search for love and redemption... Helena is a former secretary of António Fontes Morais’s who cunningly managed to get married to her boss, thus earning the title of a trophy wife. Together, they had two children: Tomás and Camila. Their firstborn is a playboy who has been living in the United States and Camila is a spoiled young woman who spends her days spending money and on her phone. The family enjoys a lavish lifestyle, but António doesn’t go without a driver and armed security since his brother Fausto was murdered, leaving his son Miguel under the care of his aunt and uncle. Helena’s hatred for the Rocha family has grown as much as the cousins Tomás and Miguel's love for Laura. So, without realizing, the nurse sees herself in the middle of a love triangle that will undermine the harmony between the Fontes Morais and Rocha families. Still, Verónica, who is totally in love with Tomás, and Helena will resort to any means necessary in order to get rid of Laura.

Nanda dies after giving birth to twins, Francisco and Clara. Marta, the maternal grandmother, agrees to keep the boy, but gives the girl, who has Down syndrome, up for adoption. Helena, the doctor who delivers the baby, becomes attached to the child and secretly adopts her. Years later, Leo returns to Portugal and discovers he is a father. In an attempt to regain custody of the children, he relies on Marta's opportunistic support. But Helena is determined to fight him for Clara's guardianship. Remake of the Brazilian telenovela of the same name.