Zdeněk Štěpánek

Mikolás and his brother Adam end up with a young German hostage of noble blood during a robbery. While their clan prepares for the wrath of the German king, Mikolás is sent to pressure his neighbor Lazar into a defense pact. Persuasion fails and he abducts Lazar's daughter Marketa on the eve of her initiation as a nun in an act of vengeance.

Five young people take off in a lighter-than-air machine at the Prague Centennial Exhibition. In an Art Nouveau style, the film consists of live action generally shot in black and white, as well as hand-drawn, stop-motion, and cutout animation. Various live-action and animated elements are often composited into the same scene.

The year is 2163. Starship Ikaria XB-1 embarks on a mission deep into space in search of alien life. During their perilous journey the crew confront the effects of a malignant dark star, the destructive legacy of the 20th century and, ultimately, the limits of their own sanity.

The Emperor's mismanagement of his country is provoking some in his court to plot to overthrow him. He feels successful, at least, when he discovers the legendary Golem, which he believes can protect him and even cure his imaginary illnesses but, when he disappears while on a bender, his kindly baker, who looks just like him, is mistaken for him, and begins to put things in order. However, the conspirators, not to be outdone, determine to bring the Golem back to life to do their bidding.

Concert master Karel Mašek is a drunk, as well as engineer Danda and other regular guests of the pub U Kroců. Mašek returns from the pub in the morning and promises the woman that he will stop drinking. But he failed again, and the orchestra players refuse to play with him. Danda returns home without a bag and goes to Krocs again in the morning, even though he has an important job at work. He has been degraded to subordinate job position, but he refused to admit it at home.

Cashier Ferdyš Pištora goes to rob the villa of banker Rosenštok. At that moment, a fire breaks out and Ferdyš saves the banker's two young children. He is hailed as a hero by everyone and Rosenštok makes him a messenger in the bank. This changes Ferdyš's entire life. He becomes a moralist and bullies the whole neighborhood with his sermons. He falls in love with Terezka, a member of the Salvation Army. Ferdyš's former lover Irma is jealous of Terezka. The two women argue and Terezka, in anger, claims that she killed her child and buried it in the cellar. Ferdyš believes this fabrication. In order to save her, he wants to give her the money that he was supposed to hand over to the bank. Out of jealousy, Irma tells the police that Ferdyš wanted to rob the banker's villa, and Ferdyš is arrested. However, Rosenštok intercedes for him and Ferdyš is acquitted. Terezka confesses that she made up the child's murder and celebrates her wedding with Ferdyš.

A monumental piece of art bringing the heroes of the ancient Czech myths back to life. The picture consists of seven parts: Cech the Forefather, Bivoj, Libuse, Premysl, Girls War, Horymir, Lucka War.

The first part of the "Hussite Revolutionary Trilogy", completed with Jan Žižka (1955) and Proti všem (Against All Odds, 1957). The film captures the period from May 1412 to the summer of 1415, a turbulent time in the Czech Kingdom, during which there were protests in Prague against the sale of "omnipotent indulgences" whose sale throughout the kingdom was announced by Pope John XXIII. The ideological leader of this movement is the preacher Master Jan Hus, whose words, calling for the elimination of church abuses, are listened to in the Bethlehem Chapel by thousands of ordinary Praguers, Czech lords and Queen Sophie, wife of the Czech King Wenceslas IV.