Kamta Prasad

Kamala elopes on her wedding day with her childhood friend Ratanlal. Her father Manganlal chases the couple and catches them on a train. His furious exchanges with Ratanlal are interrupted by gunfire and in the mysterious gloom of the evening a body is thrown off the train. The suspects are Ratanlal, who cannot furnish an alibi, Kamala, who insists on being the murderess, ex-convict Sukhdev, who confesses to the murder claiming robbery to be the motive, and the lunatic Tarachand, who also admits his guilt.

A dance film idealising poverty made mainly to showcase Bose's talents. Labour leader Suryashankar is jailed for trade union activities and, when released, finds that his friend Jagdish has stolen his property and plagiarised his play Bhookh (Hunger). To take revenge on behalf of the poor, Suryashankar's daughter Kumkum (Bose) marries Jagdish's son Chandan (Bhattacharya). Later she collaborates in staging a play meant to expose Jagdish's evil past. The film's publicity slogan was 'She robbed her husband to feed the poor!'

Lata, daughter of a dancing girl, is brought up by social worker Mathuradas and is engaged to marry the rich Ranjit when the villain Chand arrives to blackmail her with her undisclosed ancestry. Lata is forced to disclose the truth to Ranjit and the assembled wedding guests. Ranjit disowns her but they are reunited when Ranjit, blinded by an explosion, is nursed back to health by a devoted woman who turns out to be his wife.

An "untouchable" girl and a Brahmin boy fall in love, but the strict caste system and the gossip of the villagers threaten to keep them apart.

Two widowed sisters thwart a love match when they try to arrange marriages for their respective children.

A nationalist rural drama. The plot has Ajau and his girl friend Protima working on behalf of Indian villagers, incurring the enmity of the local zamindar and the villainous Sanatan. Ajay's relentless goodness eventually persuades the zamindar to bequeath his property to the hero, and general well-being reigns as class conflict is transmuted into class collaboration. The film includes the nationalist song 'Jai jai janani janmabhoomi' and other choruses with a similar thrust.

Based in Central India, a story about struggle of a young man belonging to Bheel (an adivasi) tribe against the exploitation of his people by stronger Maratha tribe.