Carmen Mendes

Jorge, a successful engineer and employee of a ministry and Luísa, a romantic and dreamy girl, star as the typical bourgeois couple of the Lisbon society of the 19th century.

The vicissitudes of a bourgeois family and the conflicts emerged between brothers - Dr. Manuel Bernardo, wise and weighted, and Zecas, libertine and Capricious - who ignore his kinship. Two girls mark the sentimental vector: one defends the danger that threatens the threat, the other does not know how to react and is the victim of her ingenuity, a dream of restless youth ...

Eduardo, the son of the wealthy farmer Jerónimo de Vinhais, falls in love and departs for Lisbon with the fado singer Maria da Graça, after studying abroad, and refusing his father "too" to be a taurenic knight.

Luisa and Manuel begin the existence of married, having only their dream and hope. He judges himself a Tarzan in the jungle of life, able to face all the threats, next to his companion.

Professor Hermes conducts a research on fear, for which he passes contract with a patient to live a supposedly empty mansion. He's counting on his assistant Chico Mota to play a phantom, but soon comes about that there are phantoms (plural) in there.