Keren Berger

Four separate stories deal with stereotypical ideas about Jews: their alleged influence on politics, the stereotype of Jewish business-mindedness, the Mossad, the Jewish world conspiracy and the memory of the Holocaust.

17-year-old Asher is split between his charismatic teacher and his brash father, who wants him to take over his scaffolding business.

A group of friends in a Tel Aviv suburb get together to watch Universong, a Eurovision-like television song contest. They gather to watch and are depressed by the lifelessness of the Israeli entry, a parody of many recent offerings, a flashy, grating song about "amour." Realizing that Anat is distraught over the crisis in her marriage, they decide to compose a song to cheer her up. As a lark, they enters their cellphone video of it in next year's contest, and it becomes Israel's entry.

The 10 days that came before the horrible 1973 Yom Kippur War.

A young man by the name of Hertzel comes back to Israel broke after years abroad and finds work hanging advertising posters. He drives across the country from north to south in his deceased father’s old Volvo, meeting stranded people, lost people, people on quests – until his journey brings him face to face with himself and with open questions about the past.

A psychological thriller, unfolding the toxic relationship between Leah, a young personal assistant, and her former employer, a renowned author. Past and present events collide, as Leah’s grasp of reality blurs.

Police officer Kobi Amar and his Region Commander Yehuda Neumann have been partners at the Haifa police force for years, but now, they face a critical turning point in their relationship and those of their families when one is forced to turn against the other. Furthermore, the tumultuous events of the night, following a brutal terror attack, place Kobi and Neumann's moral and professional values at stake, as well as their long dedicated friendship.

A young officer returns to his base after a daring mission. The cook's assistant, a religious Holocaust survivor, is envious of him. He believes that there is a place in heaven reserved for the brave officer who endangers his life for the sake of his Jewish brethren. The officer, in the spirit of the Zionist ethos, is secular and a non-believer. At the moment, he is so hungry that, for a plate of shaksuka, he is prepared to sign a contract transferring his secured place in heaven to the cook. Some forty years later, the present time of the movie, the tables have turned - the officer, now a retired general, is on his death bed in the hospital. His son who, to his father's horror, has found religion, is in a race against time. Before his father dies, he has to find that cook's assistant who, forty years earlier, bought his place in heaven. If and when he finds him, the son has to nullify the contract. If he doesn't, his father will go to hell.

The show follows four girls from the city of Dimona who form a girl band called “Yeladot Raot” (“Bad Girls”) after winning a local music competition, and move to Tel Aviv in hopes of building a successful music career. As the story unfolds, the girls face the pressures and temptations of the Israeli music industry - fame, ambition, romance, betrayal, and complicated friendships.

The “chef” follows an unemployed high-tech worker who fights to keep the talented chef relevant and starts working in the kitchen of a well-known restaurant that fights to keep its name at the top of Tel-Aviv’s super-competitive gastronomic world.