Michèle Tyan

It's autumn. A man and a woman are about to leave a restaurant situated in the heart of the Lebanese mountains. They are suprised by fighter planes screaming past at low altitude. In the distance, war seems to be breaking out once more. Losing sight of the woman, the man starts looking for her. He finds her on the other side of the mountain. Together they sink deeper into nature, which becomes increasingly spectral, just like the slender thread that ties them to each other.

In the sweltering Arabian Gulf heat Ananda’s dreams of a better life than the one she left behind in India are shattered after her child is forgotten on a school bus. Armed with the dead child’s ashes, she stands up against society’s ‘invisible’ caste, demanding accountability and refusing the customary blood money.

18 Lebanese filmmakers, driven by the ongoing war in Gaza, transform their personal letters of turmoil into a series of powerful short films, unaware that their own country is on the brink of facing a similar tragic fate.

We follow the journey of former soldier Nassif, who fled the war in Iraq by hiding in dark cinemas. During this time, he used to watch his favorite film, “Papillon” (1973), starring Steve McQueen. Nowadays, he is looking for this film among the Iraqi cinemas’ ruins. The search for this lost film copy in the old and obsolete cinemas becomes the sole purpose of Nassif and his primary motivation to leave his house. “Take me to the Cinema” allows us to discover Baghdad through Nassif’s eyes as he takes us to streets that contrast with his silent and quiet world. A lot has changed in today’s Iraq. The street where cinema theaters were is now a market that sells military uniforms. It is crowded with young men, fitting military shirts and shoes. The quest for “Papillon” becomes the quest of character, who does not want to acknowledge the transformations of his city, and who wants to cling on to its luminous past through the light of cinema and his inner world.

A delicate portrait of Mei Shigenobu, daughter of the founder of the Japanese Red Army in Beirut, Fusako Shigenobu.

Two young girls of the war generation, Yasmin and Leila, are in search of Beirut. When they meet an elderly film enthusiast with a secret store of Lebanese films, they persuade him to screen his collection for them. So begins an initiation into the myths and images of Beirut, but the girls want cold figures and facts, war babies indifferent to the memories evoked.

Iman, a young newly wed Palestinian bride, is arrested and incarcerated in a top-security Israeli prison where she gives birth to a baby boy. As she struggles to survive and raise her child behind bars, she is torn between her instinct as a mother and the difficult decisions she must make, finding through her relationship with the other prisoners - both Palestinian and Israeli – the time and space to reflect, develop and mature as a young woman.

For 15 months, 45 inmates, some completely illiterate, worked together to present an adaptation of Reginald Rose's famous stage play 12 Angry Men.