Marie-Sophie L.

A foundling, raised in the circus, Sam Lion becomes a businessman after a trapeze accident. However, when he reaches fifty and becomes tired of his responsibilities and of his son Jean-Philippe, he decides to disappear at sea. However, he runs into Albert Duvivier, one of his former employees. He comes to realise that he has ignored the important things in his life.

Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big-time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.

Salomé Lerner just finished writing an autobiography. She goes to a TV show called "Apostrophes", hosted by French TV showman Bernard Pivot. Pivot then imagines a film that could be created from her gripping story. A film entirely made of music because after seeing the young pianist Erik Berchot, Salomé believes seeing her long lost brother, who was a musician as well. A brother she had lost along with her parents in 1943. However, the Lerners did in fact escape the gestapo and might have based themselves in Paris...

The plot is about a trial against three men who tried to earn loads of money by illegal methods to get to Canada and about the lawyers and the judge who get on with the trial and who are being unfaithful to their couples.

How can moon and time affect human mood and fate? In the manner of a Greek tragedy , this movie shows how the chaos of life ineluctably propels its characters towards violence and alienation.

Some days turn out to be simply unforgettable. For Marie, it all starts with a pregnancy test… that proves positive, a car accident and being fired from her job... For Hortense, mobile phone in hand, the frantic quest for sexual satisfaction begins in a traffic jam... For both Luis and Maurice, the unexpected appearance of a loved one pitches them into a world of dreams and nightmares. While some of the characters know each other, others come into contact by chance. One woman profits from all this, the other is shattered. One will have gone looking for trouble, the other will have asked for nothing. There'll be no fatalities.

Marie (and her three fathers) are taking A-levels. Marie passes. She spends the summer in the country with her mother, Sylvia, who has returned from America with her Californian husband who has two sons. Marie falls in and out of love for the first time in front of her alarmed fathers, who see Marie's innocence slipping away at frightening speed, and their relationships with the two women become even more complicated.

On the day Jean Gabin dies, a kidnaper who also takes a fortune in jewels heisted from Cartiers murders Simon Verini's wife. (Simon was fencing the jewels for a youthful gang who robbed Cartiers; he suspects them of the murder.) He's framed for the theft and spends ten years in prison, writing to his daughter, Marie-Sophie, who's 11 when he's sent away. Released, he reconnects to Marie-Sophie and to the young thieves, seeks revenge, and is quickly arrested again. She doesn't know what to make of her father, retreats to her Swiss fiancé, and is flummoxed when one of the young thieves falls for her. Is resolution possible when crime cuts across families and romance?