David McDermott

The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.

A young couple who collect rare folk ballads discover the dark side of love when they surreptitiously record and translate an ancient, taboo folk song from the deep, forgotten past.

At age 73, writer and melancholy master of the bon mot, Quentin Crisp (1908-1999), became an Englishman in New York. Nossiter's camera follows Crisp about the streets of Manhattan, where Crisp seems very much at home, wearing eye shadow, appearing on a makeshift stage, making and repeating wry observations, talking to John Hurt (who played Crisp in the autobiographical TV movie, "The Naked Civil Servant"), and dining with friends. Others who know Crisp comment on him, on his life as an openly gay man with an effeminate manner, and on his place in the history of gays' social struggle. The portrait that emerges is of one wit and of suffering.

How to play a melody? A magic moment, unrepeatable. Life is just a bowl of cherries. Film as art as life as film.

Nares mocks up Ancient Rome by shooting in faux-classical sites including Tribeca's American Thread Building, where a decrepit penthouse loft with a peeling-paint dome serves as an echoey stand-in for the imperial palace. The latter location required ingenuity: Posing as potential renters, Nares and associates asked the manager to show them the apartment, then unlocked the windows on the way out; a few hours later, they broke back into the space, full cast and crew in tow, to shoot the necessary scenes.

Stars Patti Astor as a waylaid heroine fending for herself in the wild, filmed guerilla style in Central Park.

With his secret identity now revealed to the world, Ben Tennyson continues to fight evil as a superhero with the help of the newly acquired Ultimatrix.