Louis Nalpas

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

Young sailor Edmond Dantès is wrongfully imprisoned, escapes, finds treasure, and reinvents himself as the wealthy Count of Monte Cristo to exact revenge on those who betrayed him.

Adapted from a play by Romain Coolus, whose work Dulac had covered as a theater critic at the turn of the century, this atmospheric and socially inquisitive film tells the tale of an independent, sexually liberated woman (Eve Francis) who is torn between her husband (Gabriel Gabrio) and her lover (Paul Guide). Controversial at the time of its release, Antoinette Sabrier finds Dulac using her bold sense of visual rhythm to achieve a complex portrait of a woman trapped in an unhappy marriage and a nuanced investigation into human intimacy, with her characters’ emotions expressed through then-innovative cinematic techniques such as slow motion and associative montage.

A young orphan is taken in by a couple whose son, falsely accused of murder, is on the run.

A doctor, specialist in pediatrics, has no time for his wife Marthe. She seeks solace in the arms of his brother. Unable to keep up the charade, Marthe attempts to shoot herself, but it is her lover who is mortally wounded.

The story is about a superstitious village, where the mayor has sold a tower to an unknown, who is soon suspected of being the devil.

In the kingdom of animals, Master Fox is used to trick and fool everyone. So the King, the Lion, receives more and more complaints about him. He orders that Master Fox is arrested and brought to him.

Based on Charles Cunat's novel, Surcouf tells a romanticized version of the life story of Robert Surcouf, a French privateer and slave trader who operated in the Indian Ocean from the end of the 18th century to the beginning of the 19th century.