Thomas Holding

Ben Lyon and Viola Dana co-star in this heavy society drama

Lucille Caruthers travels from her home in the South to New York, hoping for a career on the stage. She is aided in her dream by the theatre star Serge Ratakin, and she becomes a star in her own right. But Ratakin is jealous and possessive and attempts to sabotage her. After a violent conflict with Ratakin, Lucille believes she has killed him. But has she?

A candidate for governor, eager Gerald Harper persuades his equally ambitious wife Carol to enlist the aid of her friend Diana Casper, whose influence with political boss Jarvis Flint could help him win the election. Carol agrees to speak to Diana on condition that Gerald temporarily assume her work in the city's tenements.

Corporal Blake is sent to apprehend the murderer of François Breault. All evidence points to Jan Thoreau as the guilty man. Blake arrives at Thoreau's cabin while he is away and is greeted by his wife Marie. Posing as a friend of her husband, Blake learns that Thoreau and Breault had quarreled shortly before the murder. This, together with Breault's dying accusation that Thoreau was his murderer, seems undeniable evidence. Blake, fascinated by Marie, agrees to let Thoreau escape, providing that she become his mistress. After much anguish, she consents. When Thoreau arrives, Blake arrests him but during the night Marie helps him escape. Blake goes in pursuit.

Mrs. Helen Courtland passes a fake check for $25,000 from a millionaire named Woodruffe Clay, who is in love with her daughter Anita. To save the family from a scandal in court, Anita marries Woodruffe, even though she loves Captain Hugh Shannon of the Foreign Legion. During an argument on their wedding night, Woodruffe falls and is seriously injured, and during his recovery, he makes her life miserable. Anita suffers from sleepwalking, and after one episode she dreams of poisoning her husband, she awakens to find him dead. Believing that she killed Woodruffe, Anita travels to Europe with Sarah Harden, her nurse, and there renews her affair with Hugh.

When Marquita Shay, the adopted daughter of Canadian farmer John Grayson, reaches womanhood, Grayson enrolls her in a St. Louis boarding school where she meets and marries Humphrey Wells, the son of a wealthy financier. Treated like a servant by her in-laws, Marquita leaves the Humphrey's home to return to Grayson. She discovers that Grayson has committed suicide after falling victim to a phony stock deal perpetrated by Wells senior. Time passes and Marquita travels to New York where she becomes secretary to Baron Brinker who, with Wells, swindled Grayson. She brings Wells and Brinker to their financial ruin and reunites with her husband who renounces his father.

Bella Donna ( Pauline Frederick ) a seductive woman snares Nigel Armine ( Thomas Holding ) into marriage and he takes her to Egypt to live. Tired of her simple husband, Bella becomes involved with brutish Baroudi. To get rid of Nigel, she begins slowly poisoning him. However, Nigel's friend Dr. Isaacson arrives in time to save him. Now Baroudi wants nothing to do with Bella, and neither does her husband. Totally alone now, the distraught Bella wanders off into the desert.

Bobby Austin is sent to Madrid on a diplomatic mission. He is followed by Lady Sylvia Hutton, a society adventuress who is infatuated with him. She takes him on a yachting trip to Monte Carlo where he meets Kathleen Lawrence, a notorious "kept" woman, who tries to save him from the ruin that Lady Sylvia bears in her wake.

Valerie St. Cyr, seizes a chance for excitement and money, deserts her infant daughter Joan and her impoverished husband and runs away to Paris with the Count Du Poissy. Years later, without knowing that they are mother and daughter, both Valerie and Joan fall in love with artist Julian St. Saens, who rejects the former but becomes engaged to the latter. Enraged, Valerie convinces the count to kidnap Joan, but after she is captured, Joan stabs the count to death. When Valerie learns that Joan is her daughter, she takes the blame for the murder and goes to the guillotine while Joan, still unaware that Valerie is her mother, makes plans with Julian for their marriage.

A spoiled rich girl is brought down to earth by the man who loves her.

Upon receiving an inheritance from her late uncle, a woman starts a fortune-telling business designed to make her dreams come true.

In 17th century France, young D'Artagnan wants to join the King's Musketeers, but instead befriends three legendary musketeers—Athos, Porthos, and Aramis—and together, they become embroiled in the political intrigue surrounding King Louis XIII and his adversaries, particularly the powerful Cardinal Richelieu.

The film begins by presenting the elderly and elegant Duke and Duchess of Maldon, engaged in charitable acts in a Dickensian village. The following day, the duke falls off his horse and is mortally injured. Mourning the loss of her great love, the duchess collapses in church, and in the “moment before death” she reviews her own life. “It was in her youth that she had fractured practically all the Biblical commandments,” says the intertitle. In fact, when she was young, Madge the duchess was a seductive gypsy, engaged to the fiery gypsy John, but fascinated by Harold, the idle aristocratic son of the Maldons, who was prone to the family vice of excessive drinking. In love with the gypsy, Harold brings her home as a servant, scandalizing his older brother. A fight between the brothers and John’s jealousy lead to a fatal accident that forces both Harold and the gypsy couple to flee to Australia.

A British engineer in India takes a simple native girl as his bride, an act which defies social strictures and leads to tragedy.

The mind of theology student Webster Smith becomes unbalanced from strain.

Madge Nelson is ordered to move to the countryside for health reasons, but her finances prevent her from making the move from the city, so she answers an advertisement for a mail-order bride for miner Hugo Ennis in Nevada.

Carlotta Peel, who though sheltered from the facts of life by her Victorian aunt has acquired some knowledge from indiscriminate reading, meets Diaz, a celebrated pianist, at a concert and spends the evening with him. Later, in London, she acquires fame as a novelist and is followed to France by married publisher Frank Ispenlove, who commits suicide when she spurns him. In Paris, Carlotta finds Diaz a physical wreck from drinking absinthe and devotes herself to his regeneration.

Mrs. Sherwood hates her life with her husband, who is drinking increasingly as a result of his own unhappiness in the marriage. Mrs. Sherwood is in love with Le Roy Scott, who encounters a woman of astonishingly identical features to Mrs. Sherwood. He contrives to substitute the other woman, Marion Roche, in Mrs. Sherwood's place while he and Mrs. Sherwood escape for a tryst. But Marion is much more the wife that Sherwood dreamed of, and he falls in love "anew" with his "wife," and she with him. She determines to find some way to permanently replace the real Mrs. Sherwood.

The mill of an old woman and her ward, Faith Newton, is being terrorized by the masked menace of the title known as "Still Face". The women are helped by a man named Keats Dodd. The masked villain's identity is revealed in the final chapter.

At a party thrown by millionaire Max Goldberg, Charles Howard, an aristocratic young artist, succumbs to the charms of chorus girl Lita O'Farrell, Goldberg's erstwhile girl friend. After a whirlwind courtship, the two marry and then their incompatibilities begin to surface.

Over ten episodes an heiress is threatened by the gang of a criminal who seems to have returned from the dead. Clay Shelton was executed for his crimes, but it seems he has returned to life to exact revenge on the people responsible for his death.

On the eve of her wedding to a man she does not love, young Felicite (Marguerite Clark) stumbles upon a diary written by one of her ancestors.

Two hundred fifty thousand have read this startling novel with its revelations on married life-its intimate story of the times and follies of new conventions that hurl their challenge to the old!

A silent romantic drama film directed by Hugh Ford and Edwin S. Porter