Joseph Striker

The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.

A Harp in Hock, also known as The Samaritan, is a lost 1927 American silent melodrama film directed by Renaud Hoffman, produced by DeMille Pictures, and distributed by Pathé Exchange. The film starred Rudolph Schildkraut, Junior Coghlan, May Robson, and Bessie Love, and was based on the short story by Evelyn Campbell.

Ellie Byrne and Don Lane, chums, living in the poor section of a factory town, go away to make their fortunes. Ellie wishes to become a lady so that she can marry Preston Dutton, a society chap, and Don becoming infatuated with Stephanie Parrish, daughter of a wealthy man. Ellie becomes a leading actress and Don the author of her first play. Ellie refuses Dutton’s suit when she learns he is after her money, and Stephanie returns Don’s engagement ring. Ellie and Don go back to the factory town disillusioned. They realize that they love each other and in reality had not bettered themselves for someone else but for each other. A lost film.

When the body of Wall Street broker Norman Temple is found dead in his office, the police arrest contractor James Borden for the crime on the testimony of Temple's secretary that Borden had threatened her employer over an unpaid note. Also under suspicion is Temple's Japanese valet, who quarreled with his employer the day before the murder. Tex, a detective, enters the case, following his own leads which prove the valet innocent. Tex finally deduces that Minkin, one of Temple's clerks, shot his employer when he interrupted the clerk robbing his safe. With Tex's revelation, Minkin's room is searched, the stolen bonds found and Borden is freed.

Emily Ray, who works in a department store, is taken in by her wealthy Aunt Carmen. Emily falls in love with Oliver Browning, but her aunt dismisses him as a nobody and a fortune hunter. Emily's wealthy married cousin, Rosamonde Vallant, always trying to keep up with the latest fads, gives a party in honor of Professor Syle, a distinguished radical who lectures her guests in "parlor Bolshevism," then takes them to Greenwich Village to meet his comrades.

Kate Claybourne is too busy with her literary career to notice that her husband, Bartley, is providing the finery for her flapper sister, Peggy Kendricks. When she does find out, she seeks a divorce, with the understanding that Bartley will marry Peggy. But Peggy, who toys with many men's hearts, marries Ralph Demarest, thereby cutting off Ralph from his disapproving father's fortune. Peggy accepts money from Horace Demarest to leave Ralph but then flings it in Ralph's face and urges him to make a man of himself. Peggy stands by Ralph, wins Horace's affection, and reunites the Claybournes.

A criminal organizes train crashes to discredit the railway in favor of a rival bus company. The stunts in this film were groundbreaking for 1920s British cinema. A scene which has been described as "the most spectacular rail crash in cinema history" was recorded by 22 cameras.

To cure their flirtatious husbands of consorting with flappers, three wives-- Susan Martin, Ethel Drake, and Kitty Ladd-- arrange with three college boys-- Henry Winton, Oscar, and Joe Valley-- to flirt with them at a house party. Joe Valley, who poses as a hot-blooded Spaniard, is vamped by Ginsberg in female attire, and Oscar, a bashful Swede, uses caveman methods when aroused. During a rehearsal of the party, the three husbands arrive, followed by their flapper friends, leading to comic complications.