Leung Sing Poh

Hong Kong comedy directed by Li Han-Hsiang.

Hsi Shih: The Beauty of Beauties was one of the most ambitious films made in the Taiwan film industry in the 1960s. After leaving The Shaw Brothers studio in Hong Kong and moving to Taiwan, filmmaker Li Han-hsiang mounted this historical epic. Told through the story of Xishi (Hsi Shih), one of the 'Four Great Beauties' of Chinese history, the film portrays the war between two Chinese Kingdoms during the Warring States Period (475-221 B.C). After the kingdom of Yue is defeated by the kingdom of Wu, King Goujian of Yue takes pains to prepare for his revenge and rebuild his country. Knowing that King Fucha of Wu is lewd and lustful, he offers Xisi to the court of Wu to serve as Fucha’s concubine, with Fucha unaware that she is also a spy. She uses her charm to draw Fucha away from his office and governance, while King Goujian rallies his forces together to attempt to reclaim his lands.

Hong Kong horror comedy from 1957.

A father with four daughters, but has a conflicted relationship with his eldest one. Will they ever reconcile, despite their differences? A light-hearted romantic-comedy about a girl (Josephine Siao) who brought a boy home to get him a job at her father’s business but there’s only one problem; her younger sister has to stand-in and pretend to date her boyfriend.

A beautiful Cantonese opera about the forbidden love between a princess and a scholar. The backdrop is Ming dynasty China and the two would rather die than be apart.

A Summit Film production starring Hoh Sau-San, Tsung Hua and Nora Miao Ke-Hsiu.

Mei-yuk works at her father Chak-On's company and meets Bing-Hin, but doesn't have a good impression of him. When the father tries to match make Mei-yuk and Bing-Hin, the two object, not knowing that they are pen pals that have developed feelings for each other.

A musical comedy about two students returning home from abroad with plans to wed. However, their dads are bitter enemies and oppose the marriage.

The Story of Qin Xiang-Lian is a Hong Kong Chinese Opera musical starring Jackie Chan in a child role.

Wu Te-chuan is a young man trying to make a living in an easy way. But now he is penniless and will being thrown out of his Macau hotel. Kind- hearted hotel maid Hsiao Yen is the only one to help him in the world. One day, Wu plays a trick on the hotel owner. The scheme backfires and Wu has to flee to Hong Kong. Wu saves desperate painter Hsin. He convinces Hsin that his painting will sell if he is dead. After Hsin pretend to be dead, his paintings really can be sold well, but backfires finally. Then, Wu and Hsin team up and engage themselves full time in con games, gambling and sex inclusive. Finally, Wu is being chased by the ring enforcers but is saved. Finding himself in love with Hsiao Yen, Wu decides to turn a new leaf and live properly ever after.

The Brothers Grimm's Snow White has been adapted into different art forms around the world, including the beloved 1937 animated film by Walt Disney Studios. Similar to that version, Chow Sze-luk and Lo Yu-kei's adaptation is a light-hearted musical romance, but the Cantonese version's stepmother doesn't have a magic mirror, nor does she care if she's the prettiest of them all. The two also adds intentional Chinese touches to the story, even replacing the iconic poisoned apple with a Chinese BBQ pork bun. However, one thing does remain: the heroic prince rides on a white horse to save the day.

Based in Chinese opera, the film tells the story of a young scholar in the Tang Dynasty, Li Yi who travels to the capital Changan to take the national civil examination. During the Lantern Festival, he encounters Huo Xiaoyu in the night market and picks up the purple hairpin she leaves behind by chance. Using the hairpin as a token of love, Li proposes to her on that same night. However, “the course of true love never did run smooth.” With the assistance of a mysterious man in the yellow robe (Huangshanke), together they have to fight against the wicked plot of Official Lu.

1977 film

Written by the great librettist Tong Tik-sang, and featuring Lee Tit's elegant direction and superb performances from Yam Kim-fai and Pak Suet-sin, "Butterfly and Red Pear Blossom" brings Cantonese opera to cinematic life. The film features two lovers who have never met in person but whose poetry over three years has subtly declared their unyielding love. Yam's minimalist acting style enables her to convey dynamic passion as well as step about the stage with ease and accomplish the image of a resolute, yet gentle, scholar. Pak meanwhile defies a prime minister with pride and dignity.

Notorious bandit Wong Choi-fat, already retired, loses his prized Imperial Lady Mirror on the gambling table to Chin Yik-tung. But the treasure is stolen by a cat burglar a day before the new owner claims it. Wong’s daughter Ka-yuk (Josephine Siao) suggests replacing it with a fake one. Now they need to steal the fake one before their ruse is discovered.

1974 Drama by James Wong Jim

Comedy from Hong Kong directed by Chow Sze-Luk.

Singaporean diva Li Ailian has arrived in Hong Kong to further her singing career. Xu Zhaofeng helps her land a job at Spring Wind Palace. Provoked by jealousy, Xu's long-time girlfriend Tao Haiyin, a local diva, insists on performing at the Palace, too. And when two divas strut their stuff, it's great tunes and hot action. Haiyin's brother Zhengsheng, the bandleader, has fallen out with his sister due to his infatuation with Li. Li misunderstands Zhengsheng's intentions initially but his devotion speaks volumes. Haiyin and Xu also reconcile.

An adaptation of Tong Tik-sang's now-legendary Cantonese Opera piece, the film features divas Yam Kim-fai and Pak Suet-sin (left with Yam), who play the story's lead lovers, and Lan Chi Pak, the sinister official who tries to break up the relationship. Leung Sing-po plays the pair's friend as well as the mysterious 'man in yellow' who exposes plans to separate the couple.

TONG Pak-Fu, CHUK Chi-Sang, MAN Ching-Ming and CHOW Man-Bun were the four famous learned-men in classical Mid-China. They were on good terms. Once, they picniced and visited the monkish home in Fu-Yau Mounts. While there they encounter the Lady of WAH Prime Minister in a sedan followed by a train of servants and maids. One of the maids named CHAU Heung was very attractive. Pak-Fu was attracted by CHAU Heung and tried every opportunity to get near her, and caused a lot of laughter. HE even followed CHAU Heung to Han-Chow. The Prime Minister needs a library mate urgently. Pak-Fu takes this opportunity to apply for it and was accepted. He tried to date CHAU Heung when she brings snacks to the library one day. She rebuked him for giving up his future prospects. The three friends of Pak-Fu discover that Pak-Fu had disappeared. They soon find out his whereabout. With the help of the 2nd daughter-in-law of the Prime Minister, a cousin of Pak-Fu...... the two lovers eventually get married.

A series of murders are committed after the victims are served with a Death Pass. Connie Chan Po-chu is the "Jane Bond" on the case!

Chinese Opera from Hong Kong directed by Lau Fong.