Ozge Ozturk

In the remote and undeveloped eastern Black Sea region, a six-year-old boy (Yusuf) wanders through the woods searching for his lost father, trying to make sense of his life.His father is a beekeeper whose bees have disappeared unexpectedly, threatening his livelihood. A bizarre accident kills the father.There is little dialogue or music in the film. The three main characters (Yusuf and his parents) are all fairly taciturn, and the soundtrack is filled out with the sounds of the forest and the creatures that live there.The environment is a recurring theme.

Three brothers living in Balat, one of Istanbul's old neighborhoods, each struggling to make ends meet in their own way: Gürkan, who earns a living as a taxi driver; Orhan, who runs a rice shop; and Duran, who is hopelessly in love. While continuing their daily struggles like everyone else and trying to resolve their ordinary problems, the lives of these three brothers are turned upside down by a triangle of murder, mafia, and kidnapping triggered by an accident that befalls them one day.

An imam talks at a burial ceremony in the town. As the burial proceeds, it is understood that there is no one at the funeral and everyone participates in the funeral via live broadcast. The main idea of ​​the film is the change of the shape of the funerals which are very important especially in Anatolia, in the digitalizing world. The film asks, “Will the funeral ceremonies, the most crowded meetings in Turkey, be defeated by the digital world?”