Brent Neale

Gangster and deadbeat dad, Ulysses Pick, embarks on an unusual journey through his home.

A cinematic version of the Royal Winnipeg Ballet's adaptation of Bram Stoker's gothic novel Dracula. Filmed in a style reminiscent of silent Expressionist cinema of the early 20th century (complete with intertitles and monochrome photography), it uses dance to tell the story of a sinister but intriguing immigrant who preys upon young English women.

While their mother is dying in the modern Gimli, Manitoba hospital, two young children are told an important tale by their Icelandic grandmother about Einar the lonely, his friend Gunnar, and the angelic Snjofrieder in a Gimli of old.

Sailors in repose on an island paradise seemingly have no worries of war or danger — until a playful gesture is interpreted as an act of wilful aggression. Soon, the innocent act of slight slapping becomes a relentless and unforgiving orgy of open-palmed face-smacking.

A one-time (and now one-handed) master film editor toiling in the cinematic sweatshops of 1970s Italy becomes the prime suspect in a series of brutal murders.

A woman sent is sent to an electric chair that reads the images of her mind.

Ahab, a man obsessed with exacting a brutal, violent revenge on the man who murdered his dad, joins John, an eager priest, and Twink, a hot-headed street hustler, on an epic quest to find and defeat this mythical monster known as Chris Fuchman AKA The Father's Day Killer.

A police constable guns down a First Nations chief one snow night in Winnipeg, a tragedy that will impact the community for years to come.