Johann Feindt

Sandra Hüller portrays Ingeborg Bachmann on an imaginary day in Rome. Regina Schilling’s hybrid film weaves together reenactments, archival footage, and Bachmann’s own writings into a portrait that offers a refreshing new perspective on the author and positions her writings as a reference point in current debates on gender relations and power.

It all started with a small exercise book. Its page were checkered with the courageous testimonies of 300 Central African women, girls and men. They reveal what Congolese mercenaries did to them. On their own initiative, they gathered together their testimonies in this book.

Benjamin Levi (Bruno Cathomas) is a Bavarian cattle dealer traveling to pre-World War II Germany on his annual trip to a remote farming village. Levi hopes to do some business and, more importantly, win the hand of the lovely Lisbeth (Caroline Ebner). But Nazi propaganda has gripped the small community and poisoned it forever. Now, Levi and Lisbeth are targets of hate in this provocative and shocking drama.

Thomas Brasch was born as a German-Jewish emigrant in England in order to move to the young GDR with his family at the beginning of the 1950s. His father Horst is primarily interested in helping to build the new German state. But Thomas prefers to realize himself as a writer and in doing so discovers his potential as a poetic rebel. His very first play was banned and soon afterwards he lost his place at the film school. When the tanks of the Soviet Union roll through the Czech capital Prague in 1968, Brasch and his girlfriend Sanda and other students try to call for protest in the streets of Berlin - and fail. His own father betrays him to the Stasi and allows Thomas to go to prison. After being paroled, he continues to try his hand at poet writing about love, revolt and death. In the GDR, however, you don't want to have anything to do with someone like him.

In September 1948, 83 German children arrive in Cape Town. Orphaned by war and handpicked to strengthen the Afrikaner bloodline with "Aryan blood", they are forced to start a new life in the early days of Apartheid. This film follows two of those orphans, Werner and Peter, as they attempt to reconcile past and present in post-Apartheid South Africa.

Follows the artist over two years as he explores his „life after Beethoven“, as he searches for his next challenge, his identity as an artist.

Sven Marquardt might be the most famous bouncer worldwide. But beside standing in front of the legendary techno club Berghain in Berlin, he is also a well-known and skilled photographer. Long before the Berlin Wall came down, Marquardt portrayed the subcultural East-Berlin scene. His black and white photography illustrates it as voluptuous, laid-back, dirty and existential. Even if shot by daylight, his work is permeated by darkness, ecstasy and night.

Seldom does a documentary film accomplish so much as Beruf Neonazi. Aside from the rather frightening look into the current world of holocaust denial and pro Hitler ideology, the contents of the film were used as evidence to secure a court conviction.