Johann Feindt

Paul Bacher is in crisis. If he could feel in the past as one of the most influential writers of his generation, he has long lacked ideas and impetus for a new great work. His reading tours are becoming more and more a sad affair with too much alcohol and too little public. Then Paul overflows in a drunken hitchhiker, flees first scared and later removes the body, without talking to anyone about the experience. But something is flowing in its interior. Paul starts to write again. The criticism is done, but the story about the death of a hitchhiker also arouses suspicion.

Seldom does a documentary film accomplish so much as Beruf Neonazi. Aside from the rather frightening look into the current world of holocaust denial and pro Hitler ideology, the contents of the film were used as evidence to secure a court conviction.

In 1970, Melek Tez came to Berlin as a young worker from Turkey. A confident woman, she first countered racist resentments and remarks with irony and wit. Jokingly, she even referred to herself as a "Kümmeltürkin", a derogatory German term for Turkish migrants. Yet after fourteen humiliating years, her fighting spirit has given way to resignation: Melek Tez is returning to Turkey. Blending documentary, interviews and re-enacted scenes, director Jeanine Meerapfel chronicles Melek Tez' life experience.

In September 1948, 83 German children arrive in Cape Town. Orphaned by war and handpicked to strengthen the Afrikaner bloodline with "Aryan blood", they are forced to start a new life in the early days of Apartheid. This film follows two of those orphans, Werner and Peter, as they attempt to reconcile past and present in post-Apartheid South Africa.

Sven Marquardt might be the most famous bouncer worldwide. But beside standing in front of the legendary techno club Berghain in Berlin, he is also a well-known and skilled photographer. Long before the Berlin Wall came down, Marquardt portrayed the subcultural East-Berlin scene. His black and white photography illustrates it as voluptuous, laid-back, dirty and existential. Even if shot by daylight, his work is permeated by darkness, ecstasy and night.

It all started with a small exercise book. Its page were checkered with the courageous testimonies of 300 Central African women, girls and men. They reveal what Congolese mercenaries did to them. On their own initiative, they gathered together their testimonies in this book.

Lullabies are our first connection to the world – a universal experience we all share, yet it remains deeply personal. "Can you recall a song that your mother would sing for you to fall asleep?" is the question Tamara Trampe and Johann Feindt ask people they meet in the streets of Berlin.

Late in the 1980s, two documentary film makers found six German men, all in their 60s and 70s, who had been soldiers in the German invasion of the USSR in 1942. Each carried an 8mm camera into battle and they still had their film. "Mein Kreig" alternates between interviews with these older men, now apologetic, philosophical, or defiant about their participation, and the footage they shot. It's chronological: basic training, the train trip East, roof-top vistas of war-torn Warsaw, peasants in Belarus, the downing with carbine volleys of a Russian plane, winter, a holiday at the Black Sea, mud, impassable roads, death, destruction and retreat. "Home, that was the front," one says.

"Snow White Must Die". Part 1 of 4 Nele Nauhaus Mysteries. A young man returns to his village after serving time for a murder he may or may not have committed. Will old truths be dangerous even now? Pia and Oliver investigate.

"A Woman" is a cinematic essay about identity. A search into the wounds of exile and a reflection on the function of memory. A haunting and intimate portrait of the director’s own mother. It is the story of an imitation artist, trying to adapt to the challenges of real life … as a woman.

Thomas Brasch was born as a German-Jewish emigrant in England in order to move to the young GDR with his family at the beginning of the 1950s. His father Horst is primarily interested in helping to build the new German state. But Thomas prefers to realize himself as a writer and in doing so discovers his potential as a poetic rebel. His very first play was banned and soon afterwards he lost his place at the film school. When the tanks of the Soviet Union roll through the Czech capital Prague in 1968, Brasch and his girlfriend Sanda and other students try to call for protest in the streets of Berlin - and fail. His own father betrays him to the Stasi and allows Thomas to go to prison. After being paroled, he continues to try his hand at poet writing about love, revolt and death. In the GDR, however, you don't want to have anything to do with someone like him.

Something terrible is about to happen in a small town in Germany. Nobody knows the reason why, except one person: Rico Bartsch. The 15-year old grammar school pupil, an absolute outsider, is in love with the most beautiful girl at his school. What in the beginning is a longing that can never be fulfilled will come true at the end of the story. Beautiful Regine will beg for Rico’s love. Until then several inhabitants of the town will die an unnatural death...

What do Dietrich Oepke, former GDR model plane champion, Dave Anthony, developer of “Call of Duty” and James Gimzewski, Professor of Nanoarchitecture have in common? They are all players. Concrete or virtual, with quadcopters, futuristic weapons or experiments with an artificial brain, they play with human and technical possibilities. How real are their visions of the future? What do they have in common with developers of unmanned war machines and drone pilots? A cinematic journey.

Citizens of East Germany talk about their experiences and feelings in the face of upcoming elections that will lead to reunification with the West. The past is tinged with regret, frustration and anger, while the future is uncertain.

Benjamin Levi (Bruno Cathomas) is a Bavarian cattle dealer traveling to pre-World War II Germany on his annual trip to a remote farming village. Levi hopes to do some business and, more importantly, win the hand of the lovely Lisbeth (Caroline Ebner). But Nazi propaganda has gripped the small community and poisoned it forever. Now, Levi and Lisbeth are targets of hate in this provocative and shocking drama.

Interview with Jochen Girke, a retired East German Stasi agent, filmed March, 1990 to June, 1991. Questions explore his study of psychology for use as a filmmaker and trainer of interrogators and informers. Segments include conversations with his parents, teacher, former girlfriend and wife.

Wundbrand is a document of war and life. Through images, conversations and sound collage, the film reveals the reality of the destruction of Sarajevo and its inhabitants.

Follows the artist over two years as he explores his „life after Beethoven“, as he searches for his next challenge, his identity as an artist.

Gerhard Richter has spent over half a century experimenting with a tremendous range of techniques and ideas, addressing historical crises and mass media representation alongside explorations of chance procedures. This first glimpse inside his studio in decades is exactly that: a thrilling document of the 79-year-old's creative process, juxtaposed with rare archival footage and intimate conversations with his critics and collaborators.

Artificial Intelligence is already changing almost every area of life today. This documentary essay is inspired by the changes that influence our perception of Topos. By combining film images, graphics with documentary text modules, the author associatively points out how the progress of data and technology colonizes human existence and fundamentally influences the balance between the psychological, mental, and biological aspects of life.

The documentary film reflects on the war in Chechnya based on the experiences of young soldiers who return from the mission mentally and physically broken. Conceived as a montage of emotional confrontations, it gains from the closeness and trust between directors and protagonists. The young men's reflections are expanded and deepened by memories of an elderly Afghanistan veteran, scenes from the Moscow Committee of Soldiers' Mothers and images of a brutal operation by the Russian army against Chechens.

Nina, Edith and Ronald are sexual assistants. Their clients are people with disabilities, their job: to satisfy their desire for physical contact. Is this a form of prostitution? A study of a taboo subject.

A group of young people draws straws to see who'll steal some cigarettes. With this theft, Sebastian starts a bizarre, symbolic odyssey through a sclerotic world, in search of himself and of truth and justice. When he tries withdrawing from one social paradigm, he finds himself caught in another.

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.