Evangelina Elizondo

World War II vet Paul Sutton falls for a pregnant and unwed woman who persuades him -- during their first encounter -- to pose as her husband so she can face her family.

Piporro doesn’t need to use his gun to get away with murder.

A shady character takes over as owner/manager of a nightclub, conflicts evolve.

A guy and his girlfriend pretend to come from Mars.

Repressed middle-aged Catholic gets into a troublesome relationship with the prostitute next door and her little boy.

An ingenious actor has an idea of making musical numbers without a dialogue when he arrives with a violin and a ladder.

An arrogant woman who owns a successful coffee company is abducted by the owner of some islands.

After his family is murdered by bandits, a young man enlists a wandering cowboy to teach him to gunsling.

On his 17th birthday, a boy named Michael has a surprise party thrown by his friends, where a session with a Ouija board accidentally unleashes a demon named Virgil, who possesses one of them to go on a killing spree. Michael, now plagued by violent nightmares and premonitions, sets out to try and stop the killings.

Behind-the-scenes at a famous nightclub's floor-show. Those wacky choreographers and hotel managers!

Mexican feature film

The owner of their performance space dies, and a group of young singer/dancers is concerned about the future of their musical revue. The new owner seems to be an uptight old Legion Of Decency fuddy-duddy, so... much anxiety, until a happy ending is contrived.

A female singer looks to replace his partner. She finds one who ends up triumphing on television.

Luisa is a small-town girl who works in the bakery of the widower Don Albino. Luisa dreams of marrying and loves children. Just as Don Albino shows interest in her, Luisa announces that she will marry soon with Carlos, the driver of a rich house whom she met recently...

Tourist's eye overview of some highlights of Mexican history and folk culture, all expressed through interpretive dance.

During the Mexican Revolution, a hardened and rich lady landowner is overtaken by the violence of the times. Losing her land and house, she falls in love with a revolutionary leader that is killed by a sadistic and corrupt federal officer. She takes the revolutionary flag and leads a rampage of violence and destruction.

Mauricio, millionaire, and irreclaimable Don Juan, lives only for and to seduce women of every class and condition. With the help of his butler manages to capture the hearts of many to abandon and then having a panic marriage.

After breaking out of jail, a group of convicts finds a ghost town they can take possession of. They send word out along the grapevine that criminals and marginal people can make a home there... and as the population grows, their self-policing efforts turn the whole town into a model community.

Upon her arrival to the village San Ignacio, Gabriela meets Raúl, owner of a residence that her grandfather administrates. He doesn't reveal his real identity and they fall madly in love. Tania, Raúl's sister-in-law, secretly loves him and she decides to separate them by simulating a car accident from which Gabriela temporarily becomes paralized. Aware that they will marry, Tania makes the girl believe that Raúl is marrying her out of compassion, causing Gabriela to disappear from the residence...

After losing her boyfriend, Moni decides to focus on her thesis, which consists on chocolate pastry-making. When she starts seeing other guys, the ghostly figure of her abusive boyfriend Javi appears, provoking funny situations since Moni is the only one who sees him.

During the Mexican Revolution, Beatriz's body is discovered by some kids. The police began to investigate the history of Beatriz.

The women of a prosperous provincial family hide unsuspected secrets which range from the entanglements of love to murder for mercy or for greed. The story of these eccentric women combines love, potions, black humor and death.

After her child dies in an accident, a woman's marriage collapses and she goes into a convent.

Cuando Seas Mia is a Mexican telenovela produced by TV Azteca. It was the second reunion for Silvia Navarro and Sergio Basañez as protagonists.

Mirada de mujer is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 1997, based in the Colombian telenovela of 1994 " Señora Isabel". It is considered one of the best Telenovelas in the history of the television industry in Mexico. It came a year after TV Azteca's first telenovela, Nada personal and was the first telenovela in that TV station for its five mayor stars, who had been working for the rival station, Televisa, prior to this production. In 2003 the sequel for this telenovela Mirada de mujer: El Regreso was produced. This telenovela can be dated so far as the only TV Azteca telenovela that got the TVyNovelas Award as Best Telenovela of the Year in a shocking moment, making Televisa know to the audience the respect that got over his competitor product as long as the TVyNovelas Awards are only given to Televisa programs. Aside from enjoying wide viewership in Latin America, it was also broadcast in countries like Afghanistan and Israel and Eastern Europe. In India, this was shown by Sahara TV, dubbed in Hindi, under the title of Maria.

El Pecado de Oyuki is a Mexican telenovela produced by Televisa in 1988. It was based on an original story by Yolanda Vargas Dulché, who also adapted the screenplay for television. The original comic book series was in the style of the foto-novela. For the role of Oyuki, the photographer selected the Mexican Japanese Sachiko Tsuchiya. Born in Tepic, Nayarit, she became the most recognizable Asian Mexican of her time. The telenovela was shown in the United States in 1988 through Univision. Dulché's story was also adapted for Brazilian television in 1967 and as a comic published starting April 11, 1975 by Grupo Editorial Vid. The Brazilian version was called "Yoshiko, um poema de amor" and starred actors Luis Gustavo and Rosa Miake.

Mirada de mujer: El regreso is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 2003. It is the sequel of Mirada de Mujer.