Luigi Comencini

At the end of World War II, shallow, self-centered Mara is the prettiest girl in her small Italian village; Bebo is a Communist partisan who is finding it difficult to adjust to the dull banalities of life in peacetime. When Mara’s father, a passionate Communist, declares that his daughter will marry the returning hero, her reactions range from joy to bitter resentment.

Mastro Geppetto is a poor carpenter with no wife and no children. The man is very lonely, and after trading a piece of wood with his colleague Mastro Ciliegia, decides to build himself a puppet to keep him company.

When Italy surrenders to the Allies, part of the Italian army is dispersed and soldiers begin to return to their homes.

Police commissioner Santamaria is investigating the murder of the ambiguous architect Mr. Garrone. The investigations soon drive him into the Torino's high society. Santamaria suspect Anna Carla and at the same time falls in love for her. Lello is the lover of Massimo, Anna Carla’s gay friend. He is following another direction in order to find out the truth, and his results are confusing the Policeman. But another murder happens...

An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel.

Three sexy and comic episodes.

Agnese has many men who woo her and live with her cousin Cesira, who has the opposite problem with men and wishes she would also have men woo her.

Priest Don Camillo blackmails his friendly rival Peppone into letting him join a Communist delegation visiting the Soviet Union.

The relationships between a veteran marshal, his bride-to-be, a rookie and his fiancée are severely tested when the young carabiniere is temporarily sent to a distant town.

The story of a widower and his two sons, focusing on their complex and sometimes difficult relationships.

In early 20th-century Sicily, Eugenia Di Maqueda and Raimondo Corrao discover on their wedding night that they are brother and sister and therefore unable to consummate their marriage. For the sake of the family inheritance and honour, the two decide not to reveal the truth to anyone. In public, they will play the part of husband and wife, but in private they will live in absolute chastity as siblings. Meanwhile, the beautiful Eugenia’s urgent carnal desires become increasingly pressing...

When a veteran marshal is sent to a small town, he quickly falls for two women: a midwife and an earthy young woman nicknamed "Frisky".

Amedeo and Ofelia, middle aged brother and sister, own jointly an old decadent, but still attractive, condominium. They want to sell it, but before they have to evict all the tenants. Of course, these don't want to leave at all. The cat (Il Gatto), mascot and beloved by all, dies and this gives the two an excuse to enter the tenants' life. Amedeo starts to court the young Wanda and Ofelia seduces the priest Don Pezzolla. In the meantime police is looking for the cat killer...

Giacinto Rossi, a poor driver up to his neck in debt, is imprisoned for simulated crime. He finds himself in a cell with Tagliabue, an unscrupulous murderer; Sorcio, an elderly thief; and Papaleo, an honor-obsessed intellectual who murdered his fiancée's lover. Giacinto is forced by the three men to make a daring escape from prison.

Four criminals commit a robbery at a soccer stadium, and then split up to try to hide separately from the police.

This semi-amusing sex (romance) comedy has four separate stories: "The Telephone Call", written by Rodolfo Sonego, directed by Dino Risi. "A Treatise on Eugenics", written by Tullio Pinelli from a story by Luciano Salce and Steno, directed by Luigi Comencini. "The Soup", written by Rodolfo Sonego and Luigi Magni, directed by Franco Rossi. "Monsignor Cupid", written by Leo Benvenuti and Piero de Bernardi from a story by Boccaccio, directed by Mauro Bolognini.

Through the childhood and adolescence of Signor Giacomo Casanova (from his memoirs), this is a description of how people lived in 18th-century Venice: their customs, habits, medicine, religion, and--most of all--the omnipresence of hypocrisy.

In this romantic story, a couple (Michel Serrault and Virna Lisi) who have been married for over forty years are forced to separate, one to each of their two children's families, when they can no longer pay the rent on their longtime apartment. Absence, in this case, refreshes their memory of the love they have shared, and they take to meeting one another furtively in hotel rooms for sex and affection. One summer, as each of their daughters families takes them on separate vacations, they have had enough, and elope, finding contentment as lighthouse keepers off the coast of Sicily.

Nannina is engaged to a sleazy, unruly boxer who ends up in jail after a fight with a traffic policeman.

In the 15th century, in a poor Italian village, the monks of a modest convent take up an abandoned baby. Unfortunately, for all their efforts, they prove unable to trace his parents. So they set up providing tender loving care to the little boy. Marcellino lives a happy life among the men of God but, as he grows up, he misses his mother more and more.

Back home after his wife's death, a migrant labourer faces a dilemma between a high-paying job overseas and one last chance at reconnecting with his son, who sees him only as a stranger because of all his years abroad.

A tremendous congestion hits the Rome highway ring. The biggest traffic jam ever seen lasts more than 36 hours. At the beginning the people blocked in their cars react normally. But as more time passes, the more we witness personal dramas, hysteric reactions and other grotesque situations. All the episodes are linked as if in a single plot. Cars and their hosts are a microcosm of stories part of a larger universe: the congestion.

In 1988, Figaro magazine asked a few famous directors to direct a series of short movies to celebrate the 10 years of the revue. The movies have been released for the French revolution bicentenary. Includes: Werner Herzog's Les Gaulois, David Lynch's The Cowboy and the Frenchman, Andrzej Wajda's Proust contre la déchéance, Luigi Comencini's Pèlerinage à Agen, Jean-Luc Godard's Le dernier mot.

Omnibus film with individual segments directed by Renato Castellani, Luigi Comencini and Franco Rossi; all of them starring the radiant Catherine Spaak as "out of place" women longing for love, in a Sicillian village, a monastery, and a modern Italian urban setting, respectively.

Mastro Geppetto is a poor carpenter with no wife and no children. The man is very lonely, and when trading a piece of wood with his colleague Mastero Cherry, he decides to build himself a puppet to make him company.

The story of the half-Jewish Ida Raimundo and her two sons Antonio and Giuseppe in Rome, during and immediately after the Second World War.

Enrico Bottini, an engineering student, prepares to serve as an officer when Italy declares war on Austria-Hungary. At the train station, he meets Garrone, an old friend from elementary school, and begins to reminisce on the values instilled to him by both school and his father.

The six episodes of the series "I bambini e noi" by Luigi Comencini (1916-2007) are a great realistic and live fresco of Italian childhood between the 60s and 70s. Aired in 1970, Comencini's work unfolds in various locations in our country, from Milan to Naples, from Umbria to Puglia, from Rome to Turin.

In the aftermath of major changes such as divorce and abortion laws, Luigi Comencini conducts his survey of old and young people, from the south and north, rich and poor, to tell love in its most common and most paradoxical facets according to the Italians. Thirty-two intense interviews in five episodes broadcast from November 18, 1978 on the first channel.