Davide Ferrario

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

Filmed in the coal country of West Virginia, "Matewan" celebrates labor organizing in the context of a 1920s work stoppage. Union organizer, Joe Kenehan, a scab named "Few Clothes" Johnson and a sympathetic mayor and police chief heroically fight the power represented by a coal company and Matewan's vested interests so that justice and workers' rights need not take a back seat to squalid working conditions, exploitation and the bottom line.

An independent porn actress, diagnosed with cancer, reconnects with her father and finds love with a fellow patient. Despite her illness, she continues her career, but her path takes a tragic turn.

A beautiful fugitive draws a shy film buff out of his shell while she hides in the museum — the cavernous interiors of the Mole Antonelliana in Turin, Italy — where he works as night watchman.

Still reeling from the painful breakup of his marriage to screen siren Rita Hayworth, filmmaker Orson Welles makes his way to Rome, where he gets pulled into a tangled political plot involving murder and mysterious motives. A beautiful actress proves a tempting distraction. But if they want to stay alive, Welles and his young Italian driver need to stay focused.

"One evening, without any particular expectations, I went to the Lavanderia a Vapore theatre in Collegno, headquarters of the Balletto Teatro di Torino, directed by Loredana Furno, and I saw Sexxx, the ballet by Matteo Levaggi. I’m not a fan of modern dance, but I think this is why my fascination that evening was sincere and convinced. Above all, I was struck by the way the choreographer was able to take the explicit gestures and movements of sexual communication and transform them into the language of dance. And since body language is one of the topics I have been interested in filming since that ‘scandalous’ Guardami, I was already sufficiently motivated to transform the ballet into a movie." - Davide Ferrario

How the citizens of Malta fought for independence from Britain in 1919. When the Army was sent to quell the riots and the British government covered up the bloody encounter, more than 100 Maltese were accused of instigating the violence and jailed.

Unemployed Domenico robs a bank, but is forced to take a hostage when things go wrong. The hostage, Tommaso, is a man who hates his wife and job, and who was already planning to run away with his gay cop lover anyway, so this seems to him like a good opportunity to disappear and start over again: the kidnapped becomes the kidnapper, and things get even more complicated when the two are joined by Rita, Tommaso's beautiful daughter.