Aurora Miranda

For Donald's birthday he receives a box with three gifts inside. The gifts, a movie projector, a pop-up book, and a pinata, each take Donald on wild adventures through Mexico and South America.

Two authors go look for a business to finance their dream musical.

A guerilla leader falls in love with a mysterious woman in World War II Lisbon.

A devoted secretary embarks on a dangerous mission to try to find the elusive woman who may prove her boss didn't murder his wife.

A man in charge of a publicity campaign for bananas decides to kidnap the Queen of 'Bananaland', a tropical island paradise, and take her to Rio, where she falls in love with a member of Carmen Miranda's backing ensemble, 'Bando da Lua'.

A man is looking for a radio singer named "Dulcineia." For this, he goes through the biggest hassles and problems. The plot, in fact, is an excuse for the exhibition of the musical numbers of the greatest Brazilian Radio artists.

Earning her living by dubbing American TV Series, a woman dreams of becoming an international Hollywood star.

Brazil is perhaps the best of the handful of US films made by singing sensation Tito Guizar. In typical screwball-comedy fashion, the plot is set in motion by authoress Nicky Henderson, who has hit the best-seller charts with her latest tome, Why Marry a Latin? While researching her next book in Rio De Janeiro, she finds out "why" when she meets handsome songwriter Miguel Soares. Upon learning about Nicky's book, Miguel decides to teach her a few lessons in the affairs of the heart. Edward Everett Horton is also on hand, twittering his way through the role of a well-meaning buttinsky. Thanks to the "Good Neighbor" policy of the 1940s, South American musicals were a glut on the market, but Brazil was good enough on its own merits to pay its way at the box office.

Aurora Miranda had a brilliant career, but one unknown to most Brazilians, perhaps overshadowed by the myth of Carmen Miranda.