Abbas Kiarostami

Abbas Kiarostami: A Report

A look at the formation of the career of Iranian filmmaker Abbas Kiarostami.

Persian Carpet

Persian Carpet is an omnibus film produced by Iran's National Carpet Center and Farabi Cinema Foundation where 15 renowned Iranian directors contributed films on the subject of Persian carpet. Carpets are the reflection of the cultural and historical identity of Iran.

Guest

Filmmaker José Luis Guerin documents his experience during a year of traveling as a guest of film festivals to present his previous film. What emerges is a wonderfully humane and sincere portrayal of the people that he meets when he goes off the beaten track in some of the world's major cities.

Close-Up

This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbaf—as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves.

Life, and Nothing More…

After the earthquake of Guilan, a film director and his son travel to the devastated area to search for the actors from the movie the director made there a few years previously. In their search, they see how people who have lost everything in the earthquake still have hope and try to live life to the fullest.

Where Is The Friend's House?

An 8-year-old boy must return his friend's notebook he took by mistake, lest his friend be punished by expulsion from school.

24 Frames

A collection of 24 short four-and-a-half minutes films inspired by still images, including paintings and photographs. An experimental project made by filmmaker Abbas Kiarostami in the last three years of his life.

Like Someone in Love

An old man and a young woman meet in Tokyo. She knows nothing about him, he thinks he knows her. He welcomes her into his home, she offers him her body. But the web that is woven between them in the space of twenty four hours bears no relation to the circumstances of their encounter.

Abbas Kiarostami: A Report

A look at the formation of the career of Iranian filmmaker Abbas Kiarostami.

Persian Carpet

Persian Carpet is an omnibus film produced by Iran's National Carpet Center and Farabi Cinema Foundation where 15 renowned Iranian directors contributed films on the subject of Persian carpet. Carpets are the reflection of the cultural and historical identity of Iran.

Guest

Filmmaker José Luis Guerin documents his experience during a year of traveling as a guest of film festivals to present his previous film. What emerges is a wonderfully humane and sincere portrayal of the people that he meets when he goes off the beaten track in some of the world's major cities.

Close-Up

This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbaf—as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves.

Life, and Nothing More…

After the earthquake of Guilan, a film director and his son travel to the devastated area to search for the actors from the movie the director made there a few years previously. In their search, they see how people who have lost everything in the earthquake still have hope and try to live life to the fullest.

Where Is The Friend's House?

An 8-year-old boy must return his friend's notebook he took by mistake, lest his friend be punished by expulsion from school.

24 Frames

A collection of 24 short four-and-a-half minutes films inspired by still images, including paintings and photographs. An experimental project made by filmmaker Abbas Kiarostami in the last three years of his life.

Like Someone in Love

An old man and a young woman meet in Tokyo. She knows nothing about him, he thinks he knows her. He welcomes her into his home, she offers him her body. But the web that is woven between them in the space of twenty four hours bears no relation to the circumstances of their encounter.

Through the Olive Trees

When the actor in a scene for his film Life And Nothing More… has to quit, a film director casts another man for the part. However, complications arise since the man and the woman who was cast for the scene know each other.

Taste of Cherry

A middle-aged Tehranian man, Mr. Badii is intent on killing himself and seeks someone to bury him after his demise. Driving around the city, the seemingly well-to-do Badii meets with numerous people, including a Muslim student, asking them to take on the job, but initially he has little luck. Eventually, Badii finds a man who is up for the task because he needs the money, but his new associate soon tries to talk him out of committing suicide.

Crimson Gold

Pizza man Hussein is a daily witnesses to the unjust distribution of wealth in his native Iran. One day, he finds a purse filled with shockingly expensive receipts from an upscale jewelry store. He attempts to bring the purse back to the store, but because of his working-class attire, he's not allowed inside. Then, during a delivery, a rich man invites Hussein into his extravagant mansion – an event that spurs Hussein to make a desperate bid for wealth.

The Wind Will Carry Us

Irreverent city engineer Behzad comes to a rural Kurdish village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.

How to Make Use of Leisure Time: Painting

"A humorous slice of educational instruction on refurbishing and painting" (MoMA).

Kurosawa's Way

Eleven major film makers from Europe, America and Asia talk about Akira Kurosawa and discover surprising influences on their own work.

Friday's Soldiers

The story of four soldiers who on a Friday go to the city with their commander. But this Friday is different and brings many troubles for them which changes them forever.

Pierre Rissient: Man of Cinema

A veteran film critic explores the legacy of Cannes Film Festival regular Pierre Rissient.

Certified Copy

In Tuscany to promote his latest book, a middle-aged English writer meets a French woman who leads him to the village of Lucignano.

Vida

Acclaimed Iranian film director Abbas Kiarostami, delivers a film workshop in Bogotá, the filmmakers conclude by proposing a short film in 10 days. Diego, one of the directors of the workshop, as scouting, meets a young shy librarian named Vida , who dreams of being an actress.

Lumière & Company

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.

ABC Africa

Abbas Kiarostami shoots a documentary about the AIDS crisis in Uganda.

10 on Ten

"10 on Ten" is a 2004 Iranian documentary film directed by Abbas Kiarostami. It was screened in the Un Certain Regard section at the 2004 Cannes Film Festival. Looking to his own art for inspiration, Abbas Kiarostami reflects on his techniques of filming and how he taped certain sequences in "Ten" in 2001.

Tickets

A train travels across Italy toward Rome. On board is a professor who daydreams a conversation with a love that never was, a family of Albanian refugees who switch trains and steal a ticket, three brash Scottish soccer fans en route to a match, and a complaining widow traveling to a memorial service for her late husband who's accompanied by a community-service volunteer who's assisting her. Interactions among these Europeans turn on class and nationalism, courtesy and rudeness, and opportunities for kindness.

The Chorus

An old man with a hearing aid tires of listening to the noises of the town. But when he takes his aid out he can't hear his grandchildren coming to see him.

Willow and Wind

A boy breaks a window at his school and sets out to fix it on his own during a storm.