Lydia Forson

Two years of an abusive marriage to Orlando Thompson (Chris Attoh), the son of a Reverend, leaves his wife Dea Thompson (Lydia Forson) badly scarred. A case of self-defense leaves Orlando battling for his life in hospital and Dea an opportunity for a financially secure future.

"Borga" is Better. A Borga is a Ghanaian abroad living an excessive wealthy lifestyle. At least that's what they want everyone to believe.

Akin and Mary meet for the first time at an airport where they accidentally bump into each other and mistakenly swap their identical phones . This leads to a destination mix up after they receive one another's text regarding a travel destination. Consequently, Akin ends up traveling to where Mary is supposed to go and vice versa. Neither knows about the swap until they have reached their opposite destinations and "the phone" stops ringing (In Mary's case) and "Won't stop ringing" (In Akins's case) . As a result of the phone swap, they agree to help carry out each other's missions, armed with the information and data on each other's phone. But it's not as easy as they both think as new obstacles and complications rise at every turn as they both struggle to adapt to their alien environment and situation. Mary has to walk in Akins shoes and represent him in a company meeting while Akin has to represent Mary in her the family meeting. This they do with hilarious results

The story draws from the experiences of several kayayei, who carry 55-kilogram bales of imported secondhand clothing around Kantamanto, Accra’s principal secondhand clothing market.

Three female friends find out they can make fortunes from exposing cheating husbands and boyfriends after making tons of cash unexpectedly from reporting a cheating husband to the wife. They quit their ushering job to set up "Sidechic Gang" - an agency solely dedicated to clamping down the side chick menace.

From flawed husbands to shaky finances, new complications test a close circle of friends who must lean on each other in a new decade of their lives.

It's the 1980s in rural Ghana, and Atswei is heavily pregnant and desperate to get to Ateke to deliver her baby. But when she and husband Boi miss the morning train — the only means of transport to the city — the hapless couple are left stranded in the blazing sun with only Boi's boombox for encouragement. A madcap race against time follows in this colorful screwball comedy, with wry but affectionate nods to Ghanaian traditions and gender dynamics.