Joan Gadea

In the Headquarters of the T.I.A. (Terminal Intelligence Agency), someone has stolen Professor Bacterio's most dangerous invention, the D.O.T. (Demoralizer of Troops), an artifact that ends up in the hands of a very short, wacky dictator who is ready to use it for criminal purposes. The T.I.A Chief, though, is firm in his resolve: if he wants to get the D.O.T. back, he must NOT count on his agents Mortadelo & Filemon. But when the crime fighting duo discover that the T.I.A. has engaged a cocky and slimy detective from outside the agency, they decide to act at their own risk, even if that risk involves all of Humanity.

An Italian composer in crisis takes a break in Valencia, where he takes a shine to a famous singer.

After the Spanish Civil War breaks out, the Prado Museum is being evacuated. One of the guards finds a painting by the master, Goya, and takes it to prevent damage to the work of art. In the interim, he meets a young lady with whom he falls in love. Assisted by her and her family members, the soldier attempts to save Goya's masterpiece intact amidst the war and violence.

When a psychic fishmonger foresees Amadeo's death, his fellow villagers rally to give him the best final seven days for which one could ask.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

'L'Alqueria Blanca’ ('The White Village') proposes a journey through time, up to the 1960s, which reflects the life of an inland village, in the Alcoià county. The atmosphere is eminently rural and is marked by the great differences between the two most representative families of the place, the Falcó and the Pedreguer, who star in a series of stories with love above the class difference, envy, jealousy and scandal. It all comes down to some unstoppable advances in society.