Augusto Mastripietri

Carpenter Geppetto carves a block of wood into a puppet and names him Pinocchio. As soon as his feet have been made, Pinocchio runs out the door and a series of adventures begins.

Marina di Malombra (Borelli) lives in a castle prior to her wedding. She begins to read letters written by an ancestor called Cecilia. She finds out that Cecilia was driven to her death by her uncle. Marina identifies with Cecilia and take revenge on her behalf by murdering her uncle.

In ancient Rome, tyrannical Emperor Caligula is assassinated through the machinations of Messalina. She then makes a conquest of Marcus, who forces the Senate to name her husband, Claudius, as emperor. Messalina's wicked ways continue when she falls in love with Ennio, a slave. Ennio is also loved by Egyptian princess Mirit, but he loves neither of them, preferring the company of Ela, a Greek slave.

Antamoro's CHRISTUS, epic in scale and ambition, and featuring decidedly otherworldly special effects, was released in 1916. Telling the story of the Life of Christ, the film is divided into three segments-- three Mysteries. The first of these includes the Birth of Jesus, the arrival of the Magi, Herod and the slaughter of the innocents, the flight into Egypt. The second Mystery features the expulsion of the merchants from the Temple, Mary Magdalene's conversion and Christ's entry into Jerusalem. The third Mystery is itself divided into three separate parts, which are The Passion, The Death and The Resurrection.

The relationship between Herman, a lion tamer and star of a circus show, and his assistant Cleo, develops around themes of love and jealousy.

A silent precursor to the Indiana Jones adventures. Sydney played a double role as an American billionaire who has robbed a precious jewel from an Eastern temple and as a penniless painter who substitutes the other, not knowing that the Khama devotees are plotting a merciless revenge. Two kind souls, however, are watching over the menaced painter and help him out of many dangers; one is his girlfriend (Dolly Morgan).

In "Fabiola" (1918) Herr Guarzzoni moved from the earliest days of Christianity when the new faith was struggling to just survive to a later period in the Roman Empire when the religion was a major force and attempting to win over Rome.

Based on Théophile Gautier's novel of the same name, the film tells of the tragic love affair of Ottavio de Saville. He falls madly in love with Madame Prascovie Labinska, a woman very faithful to her husband, the Polish count Olaf Labinski. Alarmed by the growing physical and mental weariness of the desperate young man, his relatives and friends decide to turn to Doctor Balthazar, who has just returned from a trip to the Indies where he was initiated into the secrets of Brahman.

During the latter years of the reign of the tyrannical Roman emperor Nero, Marcus Vinicius, one of Nero's officers, falls in love with a young Christian named Lygia, attempting to enslave her. Lygia's protector, the noble and burly Ursus, works to save her from Vinicius' clutches. Pursuing Lygia, Vinicius finds himself at a catacomb prayer meeting led by the apostle Peter and finds his conscience stirring-- just as Nero orders Rome burned. A landmark in epic film, Enrico Guazzoni’s grand-scale masterpiece laid the foundations for what colossal Italian spectacles would become. The film had tremendous influence on Giovanni Pastrone’s Cabiria (1914) and D.W. Griffith’s Intolerance (1916).