Kevin Eshelman

As a young and naive recruit in Vietnam, Chris Taylor faces a moral crisis when confronted with the horrors of war and the duality of man.

A henpecked electrician is nagged by his recently deceased wife into taking revenge on the gang responsible for her death.

Two bungling robbers try to play doctors at a 24hr. clinic while they wait for the time lock safe to open and have to treat the crazies that come out after midnight.

After a flighty young woman accidentally witnesses a Mob hit in an Italian restaurant, New York Police Inspector Theo Kojak must both protect her from an unscrupulous Dutch hitman, and bring Mob kingpin Tony Salducci to justice.

In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.

Robert McCall is a former agent of a secret government agency who is now running his own private crime fighting operation where he fashions himself as "The Equalizer." It is a service for victims of the system who have exhausted all possible means of seeking justice and have nowhere to go. McCall promises to even out the odds for them.

Swift Justice is an American detective drama television series created by Dick Wolf and Richard Albarino, broadcast for one season (13 episodes) on UPN from March 13 to July 17, 1996. James McCaffrey stars as former Navy SEAL Mac Swift, a private investigator fired from the NYPD. He receives support from his former partner Detective Randall Patterson (Gary Dourdan) and his father Al Swift (Len Cariou). Critics noted the series' emphasis on violence, specifically in the pilot's opening sequence, drawing comparisons to The Equalizer (1985–1989) and Die Hard (1988). UPN canceled the program after receiving complaints from viewers, advertisers, and critics for its stark depiction of violence. Wolf considered the cancelation a mistake due to good ratings. Further, it was praised for its visuals and McCaffrey's performance, but often criticized as being either too violent or formulaic.