Normunds Laizāns

Members of a class of the 1980s hold an annual gathering. All together spend one night remembering the passions and hopes of youth and realising what has been achieved or missed.

An awkward young man adopts the online MYSPACE identity of his friend, a popular journalist, in order to attract a woman who he otherwise feels would be out of reach. He succeeds and after corresponding with the girl for some time, he travels to meet her, all the while impersonating his friend (whose picture is rarely published with his articles). Surprisingly, when he finds her, she is living with her boyfriend and claims to have no MYSPACE identity at all. It seems the recluse neighbor of the girl has hijacked her online identity also. Intrigue and moral corruption ensue as this case of stolen virtual identity leads to disaster for both the imposters and all those involved.

A young couple of biologists and their two children move from Riga to a nature reserve where they're provided with an old country cottage. They start to repair the cottage and feel at home, but the former owner of the house suddenly returns from Canada. When he realises that the present inhabitants have kept the spirit of the place alive, he gives up his rights to the cottage. The film then concentrates on him coming to terms with his memories of his time as a guerilla, when he found his first love, his 'sister-in-arms', who betrayed him fifty years ago. The film also investigates the relationship between the young biologists and nature, and the process of reaching adulthood. The title of the film, The Nest, stands for the surroundings of living nature (the forest, the marshes, the coast) and more generally for the small fatherland that has to maintain its position among great powers such as Russia, Germany and America: countries that largely shape the fate of the characters.

The film dramatizes November 11, 1919- a crucial date in the battle for Latvian independence. A year after the end of the official hostilities of WWI, a renegade German general and troops remain outside the Latvian capital. Latvian riflemen, most of them inexperienced volunteers, somehow managed to defeat a larger, better-armed force of German and Russian mercenaries.

Donats is a modern-day Don Juan juggling the various women in his life seemingly without any consequences, until he falls in love with Agnese. Her husband, Ralfs, turns out to be a formidable opponent.

A man decides to help out the mob, hoping for a reward.

The movie shows a young man's life dramatically changed after his friend is murdered. It is ironic - if to look with today's eyes - and nostalgia evoking portrait of marginal society and environment in the early 1990s with allusions to the western cinema - film noir related themes, surrealistic features, avantgard cinema stylization and formal aesthetics.

The heroine informs both lovers about her pregnancy in order to determine by their reaction how serious the feelings of each of them are.