Glicínia Quartin

Director Jorge Silva Melo has developed a viable, though highly intellectual mystery story about the world of art and culture and murder in this somewhat theatrical presentation. When German artist Bernd Hoffmann (Michael König) arrives in Lisbon to oversee the installation of his paintings in a joint exhibition with another Berlin artist, Hanna Brauer (Charlotte Schwab), Hanna never shows up. Hoffmann is puzzled because he is certain he saw a video sequence with Hanna at the exhibition, and he begins to look for her. Another Lisbon cultural center, a theater, is also having problems that may or may not be related -- and the mystery deepens when Hanna is found dead, either by her own hand, or murdered.

Catalyst in the story of crossed paths is a 1957 Ford Fairlane being driven through Portugal’s Alentejo region to a new owner. Film’s overly protracted opening has car’s drivers (Filipe Cochofel, Antonio Pedro Figueiredo) joy riding the night away until the roadster breaks down. Momentum picks up at sunrise with their attempts to fix the car. A retired mechanic-turned-beekeeper with a heart condition (Canto e Castro) does the trick and convinces Figueiredo to take him cross-country on a motorbike to look up an old friend. Cochofel and the mechanic’s alarmed niece (Maysa Marta) follow in pursuit. The old man dies peacefully on the road, but Figueiredo, having wholeheartedly grasped his deliverance mission, keeps going.

Joana lives in a small and remote village where people are very primitive and religious. When accidents start happening that involves her, people slowly start believing that she is possessed by the devil.

A documentary about the actress Glicínia Quartin on her 80th birthday. Her family, the anarcho-syndicalism, readings at his parents' house, prisons, experimental theaters, surrealists, the encounter with José Ernesto de Sousa on the unfolding of Cinema Novo with “Dom Roberto”, Italy, fantasy, Beckett, Genet, Vitor Garcia, the encounter with Luís Miguel Cintra - a life in motion.

A blind beggar is robbed of his chest of money. The theft leads to a dramatic situation in the street where he begs every day.

A boy in Lisbon, in this Lisbon in permanent renovation.

The film presents us with a reflection on the Spanish Civil War in the Portuguese society, At a time when Salazar ruled.

An adaptation of two short stories by Passos Coelho, essentially shot in a valley that is a territory threatened by floods, the film is a cinematographic chronicle of the rural worker in the area of Montemor-o-Velho.